"'Moods of Nature' by Paul Brunford, recently won a prize in the Institute of Amateur Cinematographers' contest in England. Not only does Brunford show a fine sense of rhythm, but a keen eye for composition and a splendid sense of cutting and dramatic values in nature. This picture merely deals with a storm arising and then subsiding. Brunford uses both water and earth to show this. The smashing waves, bending trees and waving wheatfields combine to create his drama. His photography however, is something for which he is to be especially congratulated." American Cinematographer, Jan. 1936, 24.
"Title, 'Nequasset Bridge is on new location of Route 1 near the famous ship-building city of Bath.'" oldfilm.org
"Begins with a close-up intro of the Davis's in a small boat. One of the girls falls overboard and is saved. A woman drops her jewels overboard. Family disembarks. Finds a clue on a piece of paper. The Family sets out in boat with shovels, saws, axes, etc. Quarrel with another family. Find a deed." oldfilm.org
"Ogden Point is a nice little documentary helped along to a very great extent by an exceptionally smooth narration or commentary and an equally nice delivery" PSA Journal, Aug. 1967, 37.
"On the Reef can refer to only one place in the world and that's the Great Barrier Reef off the eastern coast of Australia. Graemer Grosvenor handled the world of sea life very nicely with a smooth flowing story of a group of young adventurers in this area of the unusual. This film from Australia had no difficulty in capturing the Nature Film Award" PSA Journal, Oct. 1968, 49.
"Bridge construction, Meadow Brook Bridge, Maine. 'Opeechee Stream Bridge, Searsport' 'The Gypsie Bridge Builders enjoy the summer breezes of Penobscot Bay while replacing one of the few stone bridges remaining on Route 1.' Detailed documentation of bridge building in rural Maine." oldfilm.org
"Footage along the American River that was used to save the American River Parkway." Sacramento Public Library.
"Patterns is an abstract type of filming endeavor and depicts lines in mass and motion as created by reflections in rippling bodies of water" PSA Journal, Sept. 1966, 35.
"In Ultima Thule and Peggy's Cove, produced by Edward A. Bollinger, ACL, and Mrs. Bollinger, one finds what must be the ultimate in beautiful scenic photography, magically infused throughout with a sensitive feeling for the relationship of ordinary people to their natural backgrounds. Beyond the veritable perfection of many of the scenes in these pictures it seems impossible for camera and film to go, even when guided by skill and imagination as superb as Mr. and Mrs. Bollinger's. Compositions, cutting and sequence structure are incisive and stirring, while the title wordings and execution leave little to be desired in suave good taste. The two subjects are first and last reels of a four reel study of Nova Scotia, in which, it is understood, Mr. Bollinger has done the camera work and his wife the editing and titling. It is a happy combination, from which have resulted documentary reels of magnificent skill and breathtaking beauty." Movie Makers, Dec. 1935, 550.
Edited film "chronicling travel through Tahiti and Mo'orea including scenic landscapes, aerial views, harbor scenes, resorts, local flora, markets, underwater scenes, dance and storytelling," Human Studies Film Archives, Smithsonian Museum.
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