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Florida

Date produced: 1934

Filmmaker(s):

H. W. Voss

Description:

"Florida, a documentary film of that state, made in Kodacolor by H. W. Voss, ACL, has been given Honorable Mention because of the freshness and charm of its component subject matter. Replete with human interest material, such as sequences of wild turkeys, new born calves and clumsy, appealing puppies, the picture is a bright and amazing mine of simple entertainment. Though Mr. Voss slips occasionally from a uniformly high technical standard of color work, he need bow to no one in the warmth and charm which he finds and records everywhere in the life about him." Movie Maker, Dec. 1934, 546.


Florida Vacation Fun

Date produced: 1954

Filmmaker(s):

Benjamin B. Crocker

Description:

"Choosing one of the most common sites of seasonal move making, Benjamin Crocker has by the sheer virtuosity of his production methods come up with an attractive and entertaining travel short. Here are, to be sure, Marineland, Miami, Silver Springs, Cypress Gardens and all the rest, tied neatly together with an animated map and a lively commentary. But with his clean camera work, fresh viewpoints and incisive editing, Mr. Crocker covers them in a tight ten minutes of unflagging good fun. To these same subject other amateurs have devoted twenty, forty or even-sixty minutes, and, all too often, have encountered the inevitable law of diminishing returns, Florida Vacation Fun dances where others have dawdled" PSA Journal, Jan. 1955, 48.


Focus on Slye

Date produced: 1962

Filmmaker(s):

A. Scott Moorhouse

Description:

"A community service in filming the activities of the George E. Slye School in East Hartford, Conn. We start with the young boys and girls on the playground, their orderly return to the classrooms. Then we visit the first and second grades to observe the teaching and learning methods. There is a lunch room, a dispensary, and an audio hearing test center. All learn to sing, blending their young voices in the classroom. Those who have the interest, are taught to use musical instruments and an appreciation of the drama. Physical education for good health is as important as Parent-Teachers organization meetings Focus on Slye is a truly fine community service" PSA Journal, Oct. 1962, 35.


Follow the Plow

Date produced: 1938

Filmmaker(s):

T. W. Willard

Description:

"Well known for its attainments in the commercial film field, the T. W. Willard Motion Picture Company sets a new high in its publicity productions with Follow the Plow. To technical excellence they have added sound sequencing; into a record of vocational education, they have instilled beauty and human interest. The subject matter concerns the training given to selected city boys in the fundamentals of farming at the Bowdoin Farm, operated by the Children's Aid Society of New York City. Tracing the course of these boys from the sidewalks and streets to the fields, at New Hamburg, N. Y., the location of the farm, the film expands with the glorious color of the autumn country and becomes a living essay of the pleasures of farm life. Constantly changing angles and intelligent titling lend pace to the production. Despite the limited interest in the specific subject of plows and cows, the appeal is made universal through magnificent color scenes and competent treatment." Movie Makers, Dec. 1938, 618.


Fredericksburg’s Proud Heritage

Date produced: 1961

Filmmaker(s):

Edward C. McCarthy

Description:

"A battleground where the North and the South met in the struggle of the Civil War, where each fought for a cause he thought was right, is still a charming town of colonial beginning. There are many important landmarks held for posterity, and the famous river over which George threw the dollar. We visit this great city in the spring, summer, and fall. A refresher for our heritage" PSA Journal, Oct. 1961, 47.


Ghost Town: The Story of Fort Lee

Date produced: 1935

Filmmaker(s):

Mark Borgatta

Theodore Huff

Description:

"Ghost Town" was highly appreciated by those directors and cameramen sitting on the judging board who had once worked in New Jersey. This picture shows all of the deserted movie studios in New Jersey." American Cinematographer, Feb. 1936, 73.


Goin’ Home

Date produced: 1968

Filmmaker(s):

George Franklin Hood

Description:

"Arlo Guthrie, accompanying himself on the guitar, sings his folksong, Goin' home, against a photographic background of trees in autumn, a running stream, evergreens in a winter storm, and a sunrise" via WorldCat.


Gold! Gold!! Gold!!!

Date produced: 1940

Filmmaker(s):

Lillian McNulty

Description:

"After studying the early history of the West, fifth grade students and their teacher at the University School, Lexington, Ky., donned the costumes of Western pioneers and filmed Gold! Gold!! Gold!!!, the story of an early pioneer who crossed the frontier into California. Lillian E. McNulty was the cameraman" Movie Makers, October, 1941, 470.


Grand Adventure

Date produced: 1952

Filmmaker(s):

Louise M. Fetzner

Description:

"In Grand Adventure Louise Fetzner presents a lively record of a daring run through the wild rapids of the Colorado River, as it courses the Grand Canyon from Lee's Ferry to Lake Mead. While thrilling scenes of the intrepid boats and boatmen provide the film's drama, Mrs. Fetzner has not overlooked human interest sequences on the small daily activities of these hardy adventurers. Generally good in photography and editing, the film falls off in pace somewhat in its latter portions. And perhaps the frequent inserts of a title-map of the Colorado are more hindrance than help in what is essentially an action picture." Movie Makers, Dec. 1952, 340.


Grand Canyon Voyage

Date produced: 1951

Filmmaker(s):

Alton Morton

Description:

"Grand Canyon Voyage is the record of how seven daring people in three tiny boats ran the Colorado River from Lee's Ferry in Arizona, through the awesome gorge of the Grand Canyon, to Lake Mead in Nevada. The trip itself was the exciting and gallant climax to four years of dedicated effort by Al Morton. Ideally, this film record of the trip should be infused with this same excitement, this same sense of gallant adventure. That it is not consistently so inspirited will be a source of sincere regret to all who know Mr. Morton. But perhaps no motion picture of this dangerous, demanding river run could recreate this spiritual overtone. The physical odds against filming were too great, too overwhelming, for controlled camera work and integrated continuity. Survival itself became more important than an image of it. Al Morton, we believe, has done a supremely difficult job far better than would the most of us. He has done it as well, surely, as any cameraman living." Movie Makers, Dec. 1951, 411.


Total Pages: 23