"Film of members of the Toronto Movie Club filming fruit tree blossoms and scenery at the Woodley family property at West Hill." Library and Archives Canada.
"Film is mostly animated featuring toy cars and trucks on paper roads with paper trees. The highlights of the film are a roundabout, which is a type of circular intersection and signs which have more than one meaning. The film also includes a human man and woman who seem to be driving one of the cars" Archives of Ontario.
"September Peace, Robert P. Kehoe will tell you, is a film which not only made itself but named itself. It is, patently, a product of this world at war, the unconscious reaction of a sensitive spirit too long abraded by the rough edges of conflict. In it, Mr. Kehoe has found again the lyric loveliness of field and flower, the beneficent sturdiness of great trees, the warmth and beauty of the slanting sunlight. Unusually effective scoring plays its part in creating this moving attestation to the joys of peace." Movie Makers, Dec. 1943, 478.
"Shows maple sugar making, including collecting the maple sap, boiling the sap down to make syrup and beating it to make sugar cakes. Participants are the Martin Kegg and Day families and the camp site is on the west shore of Lake Mille Lacs on Sherman Point." Minnesota Historical Society.
"As the snow begins to melt, the sugar maple begins to raise some of the water thru its roots. The rising water picks up a small amount of sugar to feed the tree in its new growth. We have learned how to rob the tree of some of this sweet water which we call sap. We boil off the excess water, leaving a syrup-maple syrup. The picture presents the story of gathering the sap and the reduction to syrup. A sweet subject and nicely handled" PSA Journal, Oct. 1962, 36.
An artistic interpretation of various natural environments.
"There Was a Tramp has, at first fade-in, a similarity to other tramp pictures, but the life breathed into the main character is what brings this film out of the ordinary and sets it apart from the rest. The story line becomes almost secondary to the acting of the tramp and his portrayal" PSA Journal, Aug. 1967, 36.
'This film presents a revelation of the beauty and colorful activity of the trees of New York State. Beautiful time-lapse pictures show the emerging buds, leaves, and flowerings on the trees. The identifying features on tree branches, flowers, fruit, and bark are shown, utilizing time-lapse photography to show the moving detail," via SUNY College of Environmental Science and Forestry.
"It is spring in Brooklyn, and Leo J. Heffernan has found a multitude of trees there. He opens the film with a sombre shot of New York's waterfront and skyline, to indicate the tense activity of a large city. A title suggests that those who live in the midst of this turmoil can find solace not far away. The film proceeds to the bounteous display of flowering trees in a large public park. Glowing shots of heavily laden branches against blue sky are interspersed with scenes of Sunday strollers wandering through shaded walks and falling petals. Mr. Heffernan has used to good effect his fine technical skill, and his color transitions between scenes are smoothly accomplished. Trees That Grow in Brooklyn is accompanied by a rhymed narrative written especially for the film by Mr. Heffernan." Movie Makers, Dec. 1946, 489.
"In Trees, whose subtitle describes it as a picture poem, we find what is generally admitted to be the masterpiece of that superb artist of the cinema, the late Ripley W. Bugbee, whose work so delighted his fellow members of the Amateur Cinema League and whose untimely death took from amateur cinematography one of its finest workers. This film is the realization of what Movie Makers has often counseled — setting film to music, instead of the course usually followed in theatrical pictures of setting music to film. The footage is planned to gear in with the musical setting of Joyce Kilmer's popular verse, but, since that setting is brief, other music, excellently chosen, is added to the scoring. The music of the poem is played once orchestrally, then other selections are offered, and the presentation concludes with a baritone voice singing the musical setting through completely. In this last part of the film, there is admirable synchronism, the scenes illustrating the words very accurately. Within the framework of this mechanism, Mr. Bugbee placed some of the loveliest 16mm. Kodachrome footage that has ever been accomplished. The motion is all that of nature, no persons appearing, but that motion has tempo and rhythm, as well as amazing beauty. There are trees in all kinds of movement, and to them are added scenes of clouds, moving water, grasses, flowers and birds. Without the record accompaniment, one would find, in Trees, Kodachrome footage of the highest order; with the musical addition, there is something that, within its limited scope, has never been bettered." Movie Makers, Dec. 1938, 597, 617.
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Amateur Cinema