"If you are engaged in any phase of little theatre work, Prelude to Performance is certainly your picture. However, even if you are not engaged in any phase of little theatre work, Prelude to Performance is also your picture. That fact of universal appeal is the true measure of this movie's success. Made by John W. Jones with the cooperation of the London Little Theatre, in Ontario, Canada, the primary purpose of this picture was to outline (and, if possible, teach) the basic steps of putting a play together. This it most certainly does, from the inception of the idea down to the rise of the opening night curtain. But in the process — through a sound sense of cinematic treatment and smoothly integrated subtitles — the picture maintains a lively and appealing interest for all." Movie Makers, Dec. 1951, 412.
"In Traum Im Karneval, 1000 ft., 35mm., a distinctly new technique in cine puppet drama has been beautifully and conclusively demonstrated. Working with puppets free of distracting threads and controlled entirely from below the line of camera sight, Dr. Goldschmidt has brought to his film the fluidity and cinematic smoothness essential to a genuine photoplay. Gone are the proscenium arch and the unavoidably static feeling of photographed "theatre." Here the camera has moved freely from near shot to closeup or semicloseup as the action demands. Inserted scenes from real life, used with symbolism significant to the mood of the story, have served only to heighten the cinematic illusion, while the unusually graceful miming of the puppets amazes one with a feeling of uncanny and fantastic life. Traum Im Karneval is delicately conceived, sensitively directed and superbly photographed. Of brilliance equal to Dr. Goldschmidt's technique was the unfailing mastery of his collaborator, Richard Teschner, eminent European puppeteer." Movie Makers, Dec. 1931, 685.
Total Pages: 2
Amateur Cinema