"Just another day with junior and the usual problems of getting a boy to get out of bed, wash, dress, and finally eat his breakfast as he must get along to school. An opportunity for some of us to relive those long-ago days" PSA Journal, Nov. 1960, 42.
"Another film capturing evanescence and making an explicit point about that intent is the 8mm work by Milton Dowe, Just Fences (1938-1940), a short visual catalog of split-rail and other fence types in the landscape with the on-screen title, 'Soon these will decay and be forgotten.' " (McNamara and Sheldon, Amateur Movie Making, 19).
"This film is dedicated to all lousy golfers who give up the game daily..." Fully narrated film of a round of golf at the [Cape Neddick?] Country Club in Ogunquit, Maine. Foldfilm.org
"Just the Ticket is an 8mm entry from England by the Altrinecham Cine Club. This film will particularly appeal to the average film maker, for it deals with one of the devious ways of obtaining additional filming equipment without too much static from the little wife. A good trick if you can get away with it. But then, you may have to face the consequences as the film reveals. It's in color, all 17 minutes of it, and is especially recommended for wives of movie makers. Winner of the Best Club Film Award," PSA Journal, Mar. 1970, 43.
"Kaleidoscopio, by Dr. Roberto Machado, is a brilliant and provocative study in abstractions, filmed in its entirety through a kaleidoscope. Dr. Machado's cinematic extension tube, however, is quite obviously not the familiar small toy of one's childhood: in one sequence, delicate human fingers are deployed before the device, while in another a set of colored, kitchen measuring spoons do a gay dance in multiple. The lighting — which traditionally was transmitted only through the base — ranges from that type (through gleaming balls of crushed cellophane) to reflected illumination on an assortment of children's marbles. Billed by its producer as a "film musical," Kaleidoscopio is indeed instinct with strong rhythmic patterns and pulsations. The picture is an exciting and imaginative advance along the ever widening frontiers of personal motion pictures." Movie Makers, Dec. 1946, 471.
"Arthur R. Powell of Asuza, California, decided to photograph the silkworm from the egg to its full growth. For some of us who are of a nervous temperament this may seem a tedious task to set for oneself, but Powell started it and determined to see it through to the bitter end." American Cinematographer, Oct. 1932, 28.
Kaxarranka dantzaren erreportajea
Reportaje de danza Kaxarranka.
A depiction of the Kaxarranka dance.
"Keeping in Touch, planned to indicate how printer and ink maker alike must keep in touch with fundamental research which is revolutionizing the graphic arts, was produced by Willard Pictures for International Printing Ink, a division of Interchemical Corporation, in New York City. A complex technical subject, involving such problems as spectrophotography and the effective filming of many gleaming machines, the production has been handled smoothly and clearly. In a pictorial argument where accurate color renditions of many differing materials were of paramount importance to the client, Willard Pictures has given its customary first class account of technical ability. The development of the film is well paced, and the use of music and narrative intelligent." Movie Makers, Dec. 1939, 636-637.
"Lillian McNulty gave a thorough behind-the-scenes look view of a big horse race in 'Kentucky Derby, 1937'" American Cinematographer, April, 1938, 173.
Total Pages: 203
Amateur Cinema