"There will always be those who seek gold. Eugene McIlwain has filmed the story of one who did find gold. It was real gold, more than he could handle. The setting is in a desolate desert are where one may expect to suffer privation. At times there may be the risk of one's life from the very desert from which he strives to conquer and extract its riches. The hardships of such a venture are told with engaging interest in Fool's Gold. The story if paced with background music and narration." PSA Journal, Nov. 1957, 32.
"Scenes from a football match at Maine Road are followed by views of a charity parade through the Ancoats area of Manchester in 1936. Brief shots of trams at Ardwick Green conclude." (BFI Player)
"Two theatrical agents, clearly averse to work, take pleasure in ridiculing the various performers who come to show their talents. The comedy turns slapstick as the agents unceremoniously dismiss the artistes, and even more so when the artistes subsequently take their violent revenge on the agents. The cine club shows its versatility by experimenting with a few camera tricks: at the beginning, with a spinning straw boater against a black background and later, during the sequences featuring 'Ricardo' the conjurer" (EAFA Database).
Also known as Footnote to Fact [As I Walk].
"A propaganda film, made in the early days of the Second World War. Opening with footage of a giant Empire Youth Rally at Brockton Point Oval, the film illustrates Canadian democratic values, institutions and ideals which are now threatened by fascism and war -- farming, industry, the home and family, education, racial tolerance, elections, and religious freedom. Also includes footage of First World War memorials in Vancouver and Victoria, cemeteries, Remembrance Day ceremonies and parades, and veterans. Canada's contribution to the war effort is shown through shots of recruiting stations, marching recruits, military parades, warships, etc. One lengthy sequence uses model airplanes, dramatizations, stock shots, photographs, and footage of local civil defence drills to simulate the impact of aerial attacks on British cities during the Blitz (including civilian casualties and damaged or burning buildings)" British Columbia Archives.
"Only film record made of take-off by Amelia Earhart on her famous Solo Flight to Europe; including pause at Newfoundland" ("The Evolution of a Movie Party").
"Color, light and movement are skillfully and pleasurably combined in Jose M. Pavon's Form in Motion, an experimental film that "experiments" in the best sense of that word. Employing such simple properties as shower curtains, knives and forks and Mexican glassware, Mr. Pavon has used both his camera and his imagination to great effect. Unfortunately, the film from time to time moves beyond the subject matter limits set up by its title, an inconsistency which mars slightly the overall impact." Movie Makers, Dec. 1950, 467.
"A horror drama film. A missing broker makes headline news, while a work colleague searches his coat left at work and finds a scrap of paper with an address written on it (the no.49 of the title) and decides to investigate for himself. Arriving at No. 49 the second broker breaks in through a sliding sash window and finds himself in an altar room at the Cult of Raven. Hiding behind a curtain he waits while the rooms fills with cult members preparing for a sacrifice which turns out to be of the original missing broker. The second broker watches as the executioner prepares by smoking a cigarette and polishing his sword, but one of the group of dancing maidens in the cult spots the second broker and screams drawing attention to him, thus marking him for sacrifice instead. However the maiden intervenes and suggests that he shouldn't be killed here, the priestess agrees and passes the execution duties to the maiden and gives her one hour to present the head of the second broker at the altar. The maiden later interrupts the executioner and asks for his help, he points at a metal presentation dish and suggests a ruse. Next the maiden sneaks into the room where the two brokers are now locked. With pen and paper she allows them to write a notice asking for help. She then smuggles this to the outside world and gets a stranger to take the note to the brokers’ employers. With time running out the maiden presents the head of the stock broker on a plate at the altar. The plate has a hole cut in it and under the altar table is the very much alive rest of the broker. The incense burning as part of the ritual however creates a fly in the ointment as it blows across the supposedly disembodied head, after a little bit of false jeopardy where the broker nearly sneezes. The broker is not so lucky the next time and is unable to stifle his sneeze therefore causing the ruse to be rumbled. Fortunately at this exact moment the police arrive to save the day, having been contacted by the broker's office upon receipt of the note asking for help the maiden smuggled out of the cult headquarters. Finally the broker and the maiden kiss (after removing the metal dish with a hole in it from his head) and then the executioner releases the original captured broker. After the credits there is a final scene where a policeman comically tries to remove the altar from the cult whilst trying to keep his wooden top police hat on." (EAFA Database)
Total Pages: 203
Amateur Cinema