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Dog Show Classes

Date produced: 1933

Filmmaker(s):

Harold Preston

Sidney Preston

Description:

"Dog shows are no laughing matter, from the serious faces of the young people in this delightful film, though the dogs themselves are far more enthusiastic about the whole affair. The junior dog owners are clearly not quite in full control of their pets, and the watching crowd in this Cheshire field seems as interested in the camera as in the canine competition." (BFI Player)


Doggone Elections

Date produced:

Filmmaker(s):

Mary Ann Kuch

Description:

A husband and wife hold different opinions about who is to become Sheriff. The wife roots for the Democratic candidate "Preacher" Slaughter, while the husband wants to re-elect Republican candidate Sheriff Carver. Both parties bribe the husband and wife for their absentee ballot. notes from CFA


Doghouse Blues

Date produced: 1946

Filmmaker(s):

E. H. Sparks

Description:

"In spite of the almost insurmountable difficulties in using feet to portray much of the action and most of the emotion in a movie, E. H. Sparks has managed to make Doghouse Blues completely comprehensible. A delightful farce of a bibulous fisherman, the story makes judicious use of the angler's big toe to denote thirst, hunger and any other emotion which might master a man on a solo weekend. Colorful scenes of inlets and bays, as well as attractive sequences of fishing craft, imbue the film with a flavor of authenticity. In satiric repetition, his indignant wife trails the tippling angler to the secluded spot where his boat rides at anchor, there to find him "taking the long count." A rude awakening for the errant husband and an eminently suitable final scene close the picture." Movie Makers, Dec. 1946, 471.


Dogs

Date produced: 1930

Filmmaker(s):

Arthur Moss

Description:

"Various shots of a dog doing tricks - begging for a ball; jumping over a metal pole and rolling over on its back. Concludes with shots of a woman taking a dog for a walk down a country lane." (NWFA Online Database)


Domestic Interiors and Gardens

Date produced: 1929

Filmmaker(s):

Arthur Moss

Description:

"Family scenes in a garden in Stretford. Includes footage of a woman doing a forward roll in front of the camera; interior shots of a baby being bathed and a woman sitting in the living room with a dog" (NWFA Online Database).


Don’t

Date produced: 1960

Filmmaker(s):

Karl Spreitz

Description:

"Loosely scripted film in which people at play in a park are interrupted by an authority figure who prevents them from enjoying themselves. The actors include many friend of the filmmakers, such as artists Michael Morris, Robert DiCastro and Sally Gregson. Images on negative stock are incorporated into the film" (Duffy, 94).


Doodlin’ Along

Date produced: 1971

Filmmaker(s):

W. L. Barton

Description:

"Doodlin' Along by W. L. Barton, a PSA member of Dallas, Texas. Bills clever idea with a "gimmick" toy and a prism lens and a combination of a title with a musical selection made a real shorty. You'll have to look quick so as not to miss this 1-minute 8mm film that was awarded an Honorable Mention" PSA Journal, Nov. 1971, 41


Doomsday

Date produced: 1934

Filmmaker(s):

Ruth Stuart Rodger

Description:

"Science fiction film influenced by the style of inter-war European art cinema." East Anglian Film Archive.

"Each year the contest sponsored by the American Society of Cinematographers through this magazine seems to bring forth a surprise. For several years the 8mm cinematrographers have been setting the pace, but never has any of them reached the goal achieved this year by Miss Ruth Stuart. Miss Stuart has been a contributor to this contest every year for the past three years; in 1933 she was given the medal for travel pictures. Her 200 ft. 16mm subject 'Doomsday' was also awarded honors in the British Institute of Amateur Cinematographers. In the American Society of Cinematographers contest just closed she was given a recognition for the Outstanding picture, in photography and Documentary pictures. It will be surprising to many that this unusual honor should befall a woman. Photography, by the unwritten law, is supposedly the realm of male species. Miss Stuart, however showed such a fine understanding of the value of pictures that move, how to fabricate these moving photographs into an interesting document that would hold any audience anywhere in the civilized world. For a person who films she must have developed a stony heart in order to cut as judiciously as the picture indicates. There is a tempo to the production that is very seldom achieved by an amateur. There are no obvious pet shots or scenes. Each sequence, each scene, each picture was left in production for a purpose to give it atmosphere to help the story along." American Cinematographer, Jan. 1937, 25.

"Well photographed, well planned film dealing with the contrasted fears of town and country folk and their reaction to catastrophe" (IAC 1975).

‘A fantasy based upon a fear which has preyed upon credulous minds from the beginning of time' is the maker's description of this ambitious attempt to show how people react to the possibility of a catastrophe and then to the real event. The story hinges upon a cosmic event that upsets the Earth's equilibrium, causes an imbalance of weather conditions and other natural forces, resulting in widespread panic’ (EAFA Database)."


Door Was Locked, The

Date produced: 1967

Filmmaker(s):

Denver Sutton

Description:

"Describes locking devices and other means by which citizens can protect their homes. Emphasizes protection and prevention, and shows consequences of failure to provide security for homes." via WorldCat.


Doubley Dear

Date produced: 1962

Filmmaker(s):

Jewell Dawson

Description:

"Twin boys wreak havoc on a park when their dad falls asleep on their picnic." Sacramento Public Library.


Total Pages: 203