"The Butterfly with Four Birthdays is a well done documentary on the life cycle of the Anise Swallowtail (Papilio Zelicaon). The Zelicaon, often mistaken for the Monarch, lives in the Western United States and lays her eggs on the anise plant, also known as sweet fennel. From the egg comes the baby caterpillar, thirdly the pupa or chrysalis stage, and finally, on its fourth birthday, the butterfly. This film also received the MPD Nature Film Award" PSA Journal, Sept. 1965, 50.
"Button Ballet is a nifty little piece of animation. A number of buttons do a ballet set to Brahms music in one of the most masterfully executed animation films ever seen in this competition" PSA Journal, Aug. 1967, 36.
"By Sea To Florida, 400 ft., 16mm., made by Porter Varney of Bradenton, Fla., is a film record of a sea trip which derives its importance from the fact that the photography and choice of viewpoint are consistently exceptional. Parts of the ship, such as the rigging and cordage, the portholes, the lifeboat davits, etc., were used with rare artistry as aids to composition and effect. An expert use of filters produced exceptionally pleasing and truthful black and white rendition of the sea and the movement and sway of the ship. Continuity was effectually obtained by a shifting of the camera viewpoint, emphasizing the harbor, the high seas and the arrival in Florida. A startling climax to the film was given by a series of shots of an approaching hurricane captured by Mr. Varney 's intrepid camera." Movie Makers, Dec. 1931, 685.
"Ross M. Gridley, filmer of By the Garden Steps, is an agricultural teacher who knows that many films used in education are, although they need not be, dull. He writes that he wanted "to prove that it is possible, as well as desirable, to increase interest by adding a touch of drama to instructional films, without losing any of the teaching value from a scientific standpoint." With this very sensible idea, Mr. Gridley tells the tale of three sisters who grow a 4-H Victory Garden. When they have worked away long enough for the audience to realize that a little more footage will be repetitive, the story shifts to a couple of youngsters who are shooting at targets. By means of a toy airplane which is given rough treatment as a Nazi invader and which the girls mistake for a new kind of garden insect, the boys meet the girls. Finally, prize day comes, and the boys add an unexpected tribute to the girls whose tomatoes are honored. In cinematography, in handling subject matter and in the capacity to fit teaching objectives into the methods of movie making, Mr. Gridley has done a sound piece of work. Girls who see the film will catch the idea and will wonder if they, too, should not have a Victory Garden." Movie Makers, Dec. 1942, 507.
"In Caineville, Glen H. Turner has now turned his camera on a Western ghost town, and with moments of sheer movie magic, he has brought it to life again. The slow turning by the wind of the leaves of an abandoned school book, and the slow pan to initials carved on a schoolhouse desk, evoke as if he were alive the youngster who carved them. In another scene, done with consummate smoothness, Mr. Turner shows an abandoned street on which a schoolboy, with books over his shoulder, slowly materializes into solid form — and then dissolves again into thin air. Surrounding Caineville always are the brooding mountains and the ever-encroaching river which implacably seeks to destroy the last vestiges of the crumbling village. Caineville is a triumph of imaginative creation over static material." Movie Makers, Dec. 1953, 320.
"Esther Cooke showed intelligence and imagination in organizing the material of this travel study of Scotland, so that even the least observant should get from it a truly representative feeling of that doughty land. Well written titles serve as titles should, to infuse in the film pertinent data not shown in the scenes; technically, a less fussy style of title lettering would have been an improvement. Mrs. Cooke's slight camera unsteadiness in scenes of the King and Queen of England at the Scottish festival was understandable, for undoubtedly tripods were barred from that event. There were, however, a few other uneven shots that seemed to us questionable in value. Restrained use of bagpipe recordings highlight a generally effective musical score." Movie Makers, Dec. 1949, 469.
"Portrait of Calhoun School, founded in 1892, and its vocational work among rural African Americans of Lowndes County, Alabama. The film shows the living conditions of the poor and illustrates how the school makes a difference in health education, agriculture, and road construction." The Field Guide to Sponsored Films.
"Warren S. Doremus has evinced fresh imagination in The Call of the Lonely Wood, a dramatic story of a venture into the unknown by a young man who has only a sketchy map to guide him. He fails of his goal on the first attempt, but he sets out once more after recovery from exposure and exhaustion. The hurdles he overcomes and the excitement of his discovery of each of the three triangles that serve as clews are convincingly pictured and supplemented by a well written narrative that is dramatically presented. Interesting dissolve effects support the mysterious quality of the film's theme, and suspense is maintained by excellent cutting and editing. A well rounded musical score was arranged by Arthur Brown, and Robert Carabell played the main role with competence." Movie Makers, Dec. 1944, 494-495.
Total Pages: 203