"The imaginative experiments with animated clay figures begun last year in No Credit have, in this year's Proem, proved out as a suave and wholly integrated art form. The unique and wholly delightful work of Leonard Tregillus and Ralph Luce, jr., has here come handsomely of age — both technically and creatively. Proem, conceived as a preface to the theme of Carroll's Through the Looking Glass, is of far greater filmic stature than its already rented status permits it to be rated." Movie Makers, Dec. 1949, 470.
"As part of the general program of heart research, studies are being made to determine how the body's blood pressure can compensate for sudden and extreme differences in elevation. At the San Diego Zoo, the long-necked animals - the giraffe, the horse and the llama - are used in this research project. By surgical procedure, devices are inserted in the animal's body which measure and record the external actions and the internal natural control mechanism of the heart. The information compiled from these studies will aid greatly in man's effort to understand the complexities of the body" PSA Journal, Oct. 1963, 41.
"When one lives near the inland water, a boat is a necessity for a visit to the store. While Father is shopping, the young son takes a boat on an exploration in the land of monkeys, birds, alligators, zebras camels, giraffes, and other exciting game. Although he has a gun, his shooting is done with camera. An adventure that could be enjoyed by any boy. His return to the wharf is timed with the return of his Father and homeward bound, surrounded by the dense jungle" PSA Journal, Oct. 1962, 36.
"It is a platitude that there is more in Mexico than meets the eye. In Quaint Old Mexico, however, Guy Nelli proves that there is far more in Mexico than usually meets the camera. Mr. Nelli presents the gradual awakening of Mexico, as the farmers drive their produce to market, with a startling sense of early morning atmosphere; market scenes are developed lucidly and effectively. The high peak of the film is reached with a most remarkable sequence of religious festival shots, as virtually an entire village re-enacts the Stations of the Cross. The intense religious emotion evident in these scenes has rarely been caught for the screen. Mr. Nelli's film is outstanding for its fresh approach and, above all, for the natural and casual quality of its shots." Movie Makers, Dec. 1946, 488.
Documentary about how a wealthy family from Barcelona spends the last year of the Spanish Civil War, from the Francoist point of view. The film includes very rare footage of everyday life during the war, as well as reenacted scenes shot after the end of the conflict, and the use of stop motion and archival materials.
"A portrait of life on Pender Island, 1965. Shows the island's school; ferry service; crowning of the May Queen; church (and confirmation service); golf course; store; etc." British Columbia Archives.
Documental sobre un mercado en Barcelos, un pueblo del norte de Portugal, que se celebra todos los jueves del año. En él, se pueden encontrar hasta las cosas más inverosímiles.
Documentary about a market in Barcelos, a northern town in Portugal, that happens every Thursday of the year. In the market, even the most improbable things can be found.
"In this dramatization of James Whitcomb Riley's well known poem for children, Andy Potter chose a perfect character for the leading role. It is his fine acting that bolsters the spirit of the story and outweighs the uneven exposure of a few early scenes. Imaginative camera viewpoints and an interesting musical score give pace to what might have been a tritely sentimental production. Suspense is maintained where it is needed, and the settings, both indoors and out, have been chosen with an eye for variety. Quotes from the poet's verses serve as titles. The Raggedy Man is a sensitive portrayal of childhood pathos and drama." Movie Makers, Dec. 1949, 455.
Total Pages: 203
Amateur Cinema