"doc. a fantasia"/avant-garde documentary Risveglio, regista Vittorio Cossato, collaboratore tecnico Antonio Marzari. Il film presenta in una successione di inquadrature rigorosamente fisse, il contrasto tra il passato e il presente espresso talora attraverso simboli (come nella prima parte l'uomo che, visto di schiena cammina per un terreno paludoso, triste e squallido) ma quasi sempre per visioni di natura, di nuove generazioni al lavoro nel traffico dei porti, delle strade e nelle adunate. Vi sono dei passaggi freschi e il film nel complesso non manca di una certa omogeneità ritmica. Awakening, director Vittorio Cossato, technical collaborator Antonio Marzari. The film presents, in a succession of rigorously fixed shots, the contrast between the past and the present, sometimes expressed through symbols (as in the first part, the man who, seen from behind, walks through a sad and bleak, marshy terrain), but almost always through visions of nature, of new generations at work in the traffic of ports, roads and rallies. There are some fresh passages and the film in its entirety does not lack a certain rhythmic homogeneity. —Il Ventuno 29 (Review of the G.U.F. of Venice), June 1935, p. 16
"The faded colours do not detract from this charming record of life in Preston, on the river Ribble. Children play in the street, women stroll in Avenham Park, and shoppers crowd an outdoor market. Community events and the bright lights of Preston at night complete this picture of life in the Lancashire town (now a city)." (BFI Player)
"Black-and-white home movie provides a tour of Rockefeller Center, including scenes of Mary Pickford and Buddy Rogers at a garden event." oldfilm.org
"shows cinematically how a large provincial town spends Saturday. Each shot will be related to the preceding shot either by comparison or by contrast, and the success of the film will depend entirely on the photography and the editing" (HMHT 1933: 113).
"a picture dealing with the various activities of a town at week-ends. Many shots were taken in the streets of Bolton" (Kinematograph Weekly 1933: 21).
"Although Song of a City was probably as carefully planned as any film could be, it still got out of hand and grew on its producer. Try filming a great metropolis yourself sometime, and you will begin to understand what John Flory faced in this splendid study of the city of Cleveland. For this is no simple record, content with the physical surface of streets and skyscrapers, ships and steel. Song of a City is a heroic canvas, seeking to present in dynamic imagery the inner significance and meaning of its vast subject, relating the ships and steel, the workers and the wealthy, to the pulsating life of their community. Mr. Flory's sponsor in this new form of industrial publicity was the Cleveland Trust Company, and it is to this institution that the film turns recurrently in presenting its message of finance in the modern world." Movie Makers, Dec. 1941, 568.
"Film record of a visit to South Devon comprising shots of local beauty spots, visitor attractions and the activities of locals and tourists." (EAFA Database)
"Amateur travelogue of an extensive trip to Australia photographed and produced by "The Traveling Sebrings," Lewis B. Sebring, Jr. and Alice P. Sebring. Lewis B. Sebring, Jr. was a journalist and war correspondent for the New York Herald-Tribune, who reported on combat in the Southwest Pacific Area theater during World War II. The trip documented in this film, which they referred to also as "An Odyssey to Australia" covers the entire continent of Australia, from Sydney, Melbourne, Adelaide, Port Augusta and Kalgoorlie, Perth, and Brisbane, and everything in between, usually documented via passenger train. In each city, the film expertly documents landscape, architecture, and people, as well as rural areas and animals." Wisconsin Historical Society.
"This film captures (in excellent pre-war Kodachrome) a day in the life of Stanley Park. An early effort at independent documentary production by a group of Vancouver film enthusiasts, including amateur cinematographers Oscar Burritt and Don Lytle. The Coast Films group intended to produce a series of films that could be distributed by the fledgling National Film Board of Canada, but World War II intervened, and this was their sole group effort. Stanley Park was restored in 1987 by the British Columbia Archives." (BC Archives)
"Local newsreel on events in Thetford filmed by Ben Culey, showing the Palace Cinema, which he owned and where people came to see his local news films." (EAFA Database)
"In the fall of the year, the late flowers are blooming, the evergreens have about completed their year's growth in preparation for the heavy winter, the deciduous have donned their golden mantles soon to become their winter blanket. All part of the thanksgiving for a bountiful season. The tall golden hillside trees set in a great panorama, interspersed with the dark grenes, the paths carpeted with golden leaves of varying hues of yellow, orange and red. It is here we visit the Mortons with their trailer in the pines" PSA Journal, Nov. 1959, 49.
Total Pages: 6
Amateur Cinema