'Scenes of Frinton covered in snow and ice. A man plays with a dog and people dig paths through the snow. People attempt to walk through the snow; some out to enjoy themselves, others seeking to carry out a normal routine of shopping and other daily business. A man tries to unlock his frozen car. In the town centre there is a shop with a 'sale' sign in the window. The area is practically deserted. Hammonds' filling station is covered in snow and deserted. A lorry attempts to drive through the snow, but is having to rely on a push. One vehicle that does manage to take to the road is a Land Rover. Finally, a snow-covered St. Mary's Church and frozen power cables brought down by the severe conditions' (EAFA).
"Het is Lente in Holland!, by Esther Cooke, may well be one of the most beautiful and perceptive travel studies of this (or any) contest year. For here is no banal tourist mish-mash of the usual wooden shoes, windmills and cheese markets; we find in their stead a literate and respectful account of a small country with its old and cherished travel conditions. Technically sparkling and esthetically pleasing, It is Spring in Holland is so deceptively simple that each viewer is likely to assume that he could easily do likewise. But the skill which Mrs. Cooke has lavished on each succeeding scene should not be taken lightly. Her exposures are exact, creating color which seems magically luminescent; her viewpoints are knowingly selected to create fresh and revealing compositions, and her editing has blended the whole into a travel study of exceptional poise and beauty" PSA Journal, Jan. 1955, 48-49.
"Holiday with the Heavers is one of those rare films that display sincere artistic sensitivity that is manifestly not the product of technical skill nor the "slick" application of the rules of composition and film planning. It is a picture that promises that its maker — Dr. W. Lynwood Heaver — with more cinematic experience, might produce the finest type of amateur motion picture. Holiday with the Heavers is not a record of a family jaunt, as its title would imply. Rather, it is a scenic study of fall, enlivened by the presence of a three year old who investigates a park and explores the autumn leaves. Included in the film are beautiful and eerie shots of the late fall, effective silhouettes and charming closeups of the small actor." Movie Makers, Dec. 1943, 478.
"A record of a summer trip with humorous twists." American Cinematographer, Feb. 1936, 73.
"If Summer Comes. "What does summer mean to you?" asks the narrator. It means different things to different people, but in this poetic film he describes what summer means to him – fishing, walking through the woods, filling his pockets with crabapples, searching for little animals by the stream, and so on. A nostalgic little study, smoothly carried out" PSA Journal, Sept. 1965, 50.
"Color film featuring scenes of fall in Utah." Church History Library.
"'Indian Summer,' properly may be termed a poem on film. Bert Seckendorf took his camera into the great outdoors one autumn day and photographed many beautiful autumnal scenes which he then skillfully knit together in a smooth flowing pictorial continuity. Scenes of colorful autumn foliage, falling leaves, blue Indian Summer skies, lazy rivulets carrying tiny sailboats of leaves toward the sea -all add up to an impressive ten minutes of screen entertainment. Seckendorf photographed this picture with a Cine Special and Kodachrome film." American Cinematographer, Apr. 1950, 146.
"Nancy tells and shows in a series of five flashbacks what impressed 12 year old Nancy most during her summer vacation. Many a family vacation film ends with the unpacking of the car and bringing in the suitcases. That is where this little vacation film begins. As Nancy unpacks her bag she looks at the things she has brought home and they remind her of her summer's events–boating, woodgathering and the removal of a splinter from grandfather's hand, the milkweed plants and the monarch caterpillar, swimming, a picnic, feeding the birds, and playing with other girls her own age. This is decidedly different from the ordinary travel film, and much of its charm comes from the voice of a young Nancy as she narrates the film. It won the MPD Travel Film Award" PSA Journal, Sept. 1965, 50-51.
"Glen Turner might take a cue from "Gigi" and "Thank Heaven for little girls" with curly hair and their interesting mud pies. With teddy bear and dog, she does for a walk. En route we view the ducks, geese and other farm animals. The trees display their fall wardrobe to add to the delight of a walk in the woods. Soon the dog realizes they have gone too far from home and he goes back for Mother. Soon we return to the little girl asleep admidst the golden leaves. An enjoyable picture of things little girls like to do" PSA Journal, Nov. 1958, 46-47.
Total Pages: 6
Amateur Cinema