"documentario/documentary"
"inteso a porre in luce lo sforzo fisico e la passione dei vogatori nel loro formarsi e al giorno della loro prima affermazione"
"intended to highlight the physical effort and passion of the rowers in their training and on the day of their first statement"".—""I Littoriali del cinema: Un’altra interessante serie di documentari,” La Stampa, September 3, 1939
"Lancashire's Fylde Coast resorts have year-round appeal, as we can see in this reel from the early 1930s. The seaside is not just for swimming and sandcastles; you can feed seagulls at Southport, or slide down sand dunes with your dog, or stroll across Blackpool's wide beaches on a cold day. And, at the time this film was shot, this coastline had many fine piers to enjoy, whatever the weather."(BFI Player)
"Western Holiday offered one of those thrills in the sequence of sunrise on Mount Robson. Here Kodachrome caught, with what seemed magic, the first rosy glow on the cold, blue snow, which the continuity of photographic motion permitted to increase, to blossom and, finally, to blaze into a chromatic crown of jewels. To see this on the screen is to enjoy a rare experience. Hamilton H. Jones, in the highly intelligent cutting of his train sequences, gave the student of continuity another of these thrills. Those who are charmed by double turntable accompaniment will recognize the perfection with which an almost impossibly difficult feat of lip synchronization with record scoring has been handled. These are some of the higher spots in a film of unusually high general average. Mr. Jones is a Kodachrome movie maker of proved ability, who has made editing a special art. The film chosen for the first Hiram Percy Maxim Memorial Award will be used by Mr. Jones in his work as a lecturer on the vacation advantages of the Dominion of Canada, although it was made as his own enterprise, entirely at his own expense and not for compensation from a client. It is a part of his professional equipment. Briefly reviewed, Western Holiday carries the audience, via Canadian National Railways, from Victoria, Canada's most westerly metropolis, across the Rocky Mountains back to the Eastern Seaboard. Beginning with city views in Victoria and Vancouver, with strikingly colorful parades of the famous Canadian Mounted Police, we visit tourist centers and make trail trips from them. The camera goes into the interior of a glacier, it finds mountain goats and sheep, it clambers over the Continental Divide on horseback. All through the trip, it studies the progress of trains, weaving in and out of tunnels and over bridges. In his personal presentations of this film, Mr. Jones manipulates effects, such as whistles, bells, train noises and other oddments, with something approaching wizardry. In the face of competition of the highest order, Western Holiday is its own justification of preferment." Movie Makers, Dec. 1937, 602.
"Film recording details of winter sports in Switzerland, including horse racing and skiing." (EAFA Database)
"Out of his own experience and happy recollections, Sidney Moritz presents in telling terms a warm and affectionate recounting of the marriage and honeymoon. A bright sun filtering through the stained glass of the church lights the solemn exchange of vows amidst swelling organ tones. The scene dissolves to preparations for the honeymoon, the contentment of a pastoral setting, the first months of life together, the small details that contribute to gracious living, and finally a fond recalling of the beginnings — the stained glass and sunlight, two people in love, the music and the prayer. A sympathetic scoring complements this sincere and moving record film." Movie Makers, Dec. 1948, 496.
"Wonderland Trails is a triumph of treatment over the subject matter. K. G. Stephens, ACL, has used with sensitive artistry the space and time saving devices of closeup synecdoche, lap dissolve and the fade in, telling his charming tale of a mountain hike that went astray. On this simple framework he has presented a series of lovely scenic views, always well photographed and often superior in their crisp beauty. Smart editing serves throughout to reinforce the values of this film, which is distinguished by an imaginative and careful advance planning." Movie Makers, Dec. 1933, 523.
"With the vitality of youth, the wonder of the woods and adolescent hunger for adventure, you have the ingredients for an excellent movie. Al Morton accepted the challenge offered by them, and turned out an interesting and competent film. Worth Scouting For has the indefinable quality that comes from fine filming, innate good taste and an understanding of boys' ways in the woods. Taking two independent youngsters and a large Boy Scout troop, Mr. Morton skillfully weaves a good story, based on the scorn of the two boys for the "sissy stuff" of Scouting. Both the troop and the boys go camping in the same area. The untrained campers make the mistakes avoided by the Scouts. They eat cold food because of their inability to build a fire; they become ill from smoking cigarettes which they have stolen; one almost drowns and is rescued by a Scout. They learn their lesson and decide that to "know how" is intelligent, not "sissy." A fine ability to film and direct youngsters with success makes Worth Scouting For an excellent picture which will be a delight to the actors in years to come. That, in itself, is a high accomplishment." Movie Makers, Dec. 1945, 495.
"documentary on the hunting of swordfish shot in the waters of Scilla."
"documentario sulla caccia al pesce-spada girato nelle acque di Scilla"
—"I Littoriali del cinema: Un’altra interessante serie di documentari,” La Stampa, September 3, 1939
Total Pages: 14
Amateur Cinema