"Sunlight and morning noises, the rich, sweet smell of clover, the hot grain fields at midday and windmills drawing water from the deep earth — these are part of the common life of an Ohio farm that two young girls, Marjean and Mary Elizabeth Headapohl, have put into their film, On the Farm. It is a record as American in feeling as Walderts Pond, even though unconsciously so. Innumerable closeups show the generousness of the earth in Ohio, whether in flowers around the house or in the grain and vegetables of the fields. Day after day, the imponderable clouds drift by. Peas are shelled for dinner; the cows are brought in from the pasture by the collie dog; the farm hands return to the barn after a day of harvesting wheat. There is little more shown, in substance, and presently the film ends. But it leaves one with a conviction that this simple way of life in America cannot easily be changed, and that, as long as people of good hearts make records such as this, we cannot wholly forget that the Republic was founded on the plough." Movie Maker, Dec. 1940, 603-604.
"On the Reef can refer to only one place in the world and that's the Great Barrier Reef off the eastern coast of Australia. Graemer Grosvenor handled the world of sea life very nicely with a smooth flowing story of a group of young adventurers in this area of the unusual. This film from Australia had no difficulty in capturing the Nature Film Award" PSA Journal, Oct. 1968, 49.
"Film of the Chow Chow dogs owned, and possibly bred, by Eustace and Eunice Alliott in the mid/ late-1930s. Shot primarily in the gardens of the Alliott house in Amersham" (EAFA Database).
"Film of two Pekinese dogs at home and in the country, detailing their development as they age. Set in the garden and the home of Laurie and Stuart Day, as well as in surrounding countryside, the film makes use of seasonal changes to record the ageing of two Pekinese dogs" (EAFA Database).
"Pets, 350 ft., 16mm., filmed by Dr. F. S. O'Hara, won its position on the list of special mention because of the many remarkably well composed closeups of family pets that it contains and because of the cameraman's patience and skill in securing many delightfully natural bits of action. Included in the film is a sequence of a cat and dog playing together. The film offers much grace and photographic beauty as well as that amazing attractiveness animals always possess on the screen." Movie Makers, Dec. 1931, 686.
"Problems in the Pounding Surf is an animated cartoon of a little dog's antics in the ocean. Entered in a previous film competition, judges in that event stated "A truly fabulous animation film, extremely competent timing and use of line with good overall humor." So our judges were not alone in their praise of this workmanship. What our judges did not know and won't know until they read these words here is that the maker of this film, Dale Ramsey, is only 15 years old" PSA Journal, Aug. 1967, 37-38.
"A boy and his dog - the love, companionship and understanding between these two develop a deep bond. When the bond is broken, it is as though a part of life is gone. The fruitless search, the unanswered prayers take the spark out of a lively little boy. Even an appealing puppy substitute does not fill the gap for him, but does compensate a heartbroken little girl who has to give up the dog she has "found" and returned to his delight master" PSA Journal, Oct. 1963, 39.
"A short film featuring two brief sequences. The first Near Latimer features cattle in a field. The second Rhododendron Time comprises Eunice Alliott walking alone and with a Chow Chow in the gardens of Ashridge House." (EAFA Database)
A short film showing Eunice and Eustace enjoying their garden with their dogs.
"Sahuaro Land, by Frank E. Gunnell, is as clever and painless a teaching film as one may find in many a classroom screening. Here, in a colorful Arizona cactus desert, we find the surefire ingredients of a boy and his dog. The boy is an enthusiastic nature student who, in the course of his explorations of the region, contrives to make sundry entries in his notebook, which find their way to the screen. These data are all so natural a part of the story, however, that the information conveyed does not assume the rather forbidding status of an instructional title in any case. The outdoor color work is excellent, and the viewpoints are well chosen. Mr. Gunnell's use of telephoto technique for making closeup studies of distant, inaccessible objects (such as the bloom atop a tall cactus) was particularly effective. We learned a lot from this film." Movie Makers, Dec. 1940, 604.
Total Pages: 5
Amateur Cinema