"2 part edited travelogue film beginning in Ontario and working west to British Columbia, documenting the resources, landscape and recreation of Canada. Includes a large amount of natural scenery, but also diverse events such as fishing, a rodeo and water sports. Also gives a look into factories and resorts." Chicago Film Archives
"2 part edited travelogue film beginning in Ontario and working west to British Columbia, documenting the resources, landscape and recreation of Canada. Includes a large amount of natural scenery, but also diverse events such as fishing, a rodeo and water sports. Also gives a look into factories and resorts." Chicago Film Archives
"Cay Sal is a film of underwater life and treasure, containing some excellent underwater photography - steady, consistent, with adequate illumination for exposure and excellent subject matter" PSA Journal, Sept. 1964, 50.
"Miscellaneous scenes of the sea. Includes brief shots of some boats moored in a foreign harbour and various travelling shots of the sea, taken from on board ship. Concludes with family footage of a young girl walking along a garden path, holding hands with two women and a brief shot of a couple of children playing on a swing" (NWFA Online Database).
La película realiza un recorrido desde Bermeo hasta Gernika. Se trata de un viaje que va desde el puerto pesquero de Bermeo, hasta el Árbol de Gernika, a lo largo de la actual Reserva de Urdaibai.
The film depicts a route travel from Bermeo to Guernica. It's a trip that goes from the fishing port in Bermeo, to the Guernica Tree, crossing through the Urdaibai Reserve.
"Stretching for more than a thousand miles along Australia's northeastern coast stands the Great Barrier Reef, a vast agglomeration of tide-swept coral islands and islets. For mariners who have threaded their way through these perilous formations, they hold little of enchantment. But to Alfred T. Bartlett (who confines his camera to the Whitsunday group) they are such stuff as dreams are made on — and he has portrayed them thus in The Enchanted Isles. Mr. Bartlett's canvas is a rich one, comprising all of the classic elements of romance: the sun-drenched strand, the nodding palms, the lovely girls and, always and ever-present, the clean blue of the sky and the yet-deeper blue of the circumambient waters. He has painted these elements both in large, lush compositions and with observing attention to the minutiae of vibrant life around him. Even his colors (via the magic of the pola screen) are richly sensuous in their depth of saturation. An unabashedly romantic narrative ("Have you ever dreamed a secret dream?" is the opening line) rounds out this affectionate and interpretive travel study." Movie Makers, Dec. 1953, 333-334.
Cortometraje documental sobre la costa vizcaína que hace un recorrido desde la playa de Ereaga hasta el Cabo Matxitxako. En la película se pueden ver imágenes del Puerto de Bilbao y de las playas de Ereaga, Arrigunaga, Azkorri y Sopelana. También se aprecian las localidades vizcaínas de Barrika, Plencia, Gorliz, Armintza, Bakio y San Juan de Gaztelugatxe.
Documentary short about the Biscayne Bay that depicts a tour from the Ereaga beach to Cape Matxitxako. The film shows images of the Bilbao Port and the beaches in Ereaga, Arrigunaga, Azkorri and Sopelana. Local Biscayne places are also seen: Barrika, Plencia, Gorliz, Armintza, Bakio and San Juan de Gaztelugatxe.
"Al Morton has conquered another river. This time it is the unruly turbulence of the Green River in Utah. Not content to be simply a passenger, Mr. Morton built his own boat (and named it Movie Maker!) for shooting the rapids, one of three craft making up the river party. Green River Expedition is a record of lazy, sunny days on quiet stretches, of motor trouble and of scenery along the banks, of back breaking portages where the rapids are too dangerous to maneuver, and finally of the breath taking excitement of riding the tumultuous waters. To partake of this dangerous sport would seem accomplishment enough, but Mr. Morton puts it all on film as well, in about as sparkling, steady photography as one will ever see. The narrative accompaniment, while informative concerning the technique of river boating and the historical background of the surrounding country, seemed overfull. It is enough, in parts, to devote one's whole attention to the thrilling action on the screen." Movie Makers, Dec. 1950, 464.
Itsasoko bizimodua.
El filme retrata la forma de vida en la mar en Lekeitio
The film portrays the life on the sea in Lekeitio.
"In the Home Movie field, Lawrenson submitted a fine document of a day with his little 2-year-old daughter. The main portion is given over to a day at the seashore. But he gives reasons for everything he does even to going home. He shows a storm coming up and after the family has arrived safely at home, the little looks out of the window while the raindrops patter on the windowpane." American Cinematographer, Jan. 1936, 24.
Total Pages: 4
Amateur Cinema