"Money to Burn, believe it or not, comes from Scotland, where, if you can believe it, they burn money. But not until it is worn out and counted by a series of bank tellers. Then it goes up in smoke in this well-put together documentary" PSA Journal, Aug. 1967, 37.
"'Moods of Nature' by Paul Brunford, recently won a prize in the Institute of Amateur Cinematographers' contest in England. Not only does Brunford show a fine sense of rhythm, but a keen eye for composition and a splendid sense of cutting and dramatic values in nature. This picture merely deals with a storm arising and then subsiding. Brunford uses both water and earth to show this. The smashing waves, bending trees and waving wheatfields combine to create his drama. His photography however, is something for which he is to be especially congratulated." American Cinematographer, Jan. 1936, 24.
"Charles A. Ferrie, jr., an urban movie maker, has gone back to the land for the beauty and charm of Mother Earth. Here, in carefully filtered and unfailingly well composed shots, he has caught the moist freshness of newly turned soil, the delicate loveliness of waving grain, the quiet dignity of men going about the homely tasks of the farm. His method of subject matter treatment has been to study these things from the outside, as a sensitive spectator, rather than to involve them (and the spectator) in a story told against such backgrounds. Mr. Ferrie's photography is consistently good and often striking, while his sequencing adds much of interest and inspiration to an essentially pastoral subject." Movie Makers, Dec. 1938, 620.
"In Mount Vernon Seminary, the T. W. Willard Motion Picture Company has made a remarkable Kodachrome publicity picture. No interior was too large for their color work, as is clearly shown by the fine shots of a "prom." Large rooms with groups of girls taken by artificial light were rendered in true colors with striking effect. The film demonstrates quite clearly how successfully color can be used in industrial and publicity filming and that no special limitations are involved. The most attractive titles were double exposed on well chosen bits of school scenery. The film has an air of friendliness and polish that is entirely in keeping with the spirit of the school it portrays. Just enough of the right things are shown to make a favorable impression on prospective patrons of the school." Movie Makers, Dec. 1936, 548.
"Mr and Mrs Behrens are seen walking along a driveway, outside their family home. Includes footage of two young children and a toddler, kicking inflatable ball in the garden" (NWFA Online Database).
"Family members pose for photographs outside a house in Cockermouth; later they are seen running around in the garden. The photographer is seen discussing his camera. Shots of a ruined mill building after a fire." (NWFA Online Database)
"Multiple Sidosis by Sidney N. Laverentz a PSA member of National City, California. Sid's title is a mind-boggler surpassed only by the unbelievable single frame multi-image exposures, all in synchronization, that is reminiscent of his winner of a few years ago, "One Man Band." This 10-minute 16mm film won for him a Ten Best medal and the Golden Microphone Award, the new title for the past Sound Award" PSA Journal, Nov. 1970, 38.
"Father attempts to blend his hobby of photography with "his other hobby" when mother goes off on an all day's shopping tour. Things are not so goo as father tried to figure the diaper angle, juggles the overheated bottles, tries a breakfast of dry pablum and while bananas. But finally father learns, baby is fed, and they both joyfully go through the ritual of the morning bath - a little off schedule. Father rushes through the other chores, and when mother returns, she finds both father and baby sleeping the sleep of exhaustion. Only after mother takes over can father return to his photography" PSA Journal, Oct. 1963, 41.
"An animated puppet film. It shows children dreaming and then the puppets start to dance. A very short film but delightful for all ages" PSA Journal, Nov. 1956, 22.
"Take a man who wants to play golf and his wife who wishes to see the sights on a family vacation and you have the simple plot of Nantucket Turnabout. Richard Elms treats the idea with a freshness, however, that lifts it from the usual vacation film class. Through the mechanism of the wife's desire to visit historical places, some lovely views of Nantucket are logically inserted in the film, while the husband wearily tags after her as his prepayment for a chance to play golf. The eventual golf game ends with the wife, fresh after her sight seeing, winning easily, while the exhausted husband repeatedly drives to the rough, far into the final sunset." Movie Makers, Dec. 1945, 496.
Total Pages: 39
Amateur Cinema