"Travelogue with intertitles of Alexander Black's trip to Europe in 1928. It includes footage of air and sea travel, a phantom ride in a gondola, and footage of Black himself feeding pigeons in Venice, Italy." UC Berkeley Library.
"H. Lee Hansen visits Holland, England (London), France (Paris), and Switzerland (Zurich) and captures scenes of daily life in post-war Europe." UC San Diego Library.
"A Glimpse of Paris shows us the usual sights of the French capital as well as some of the less common places. Tight editing keeps the film moving yet the feel of jumping rapidly from one spot to another, so often prevalent in travel films, is not present in this one" PSA Journal, Sept. 1964, 50.
“İlk film çalışmalarını Paris’te gerçekleştiren Heper, Galatasaray Lisesi’nden mezun olduktan sonra önce hukuk okumak için Cenevre’ye gider lakin mutlu olamaz ve okulu bırakarak Fransa’ya geçip, Paris Yüksek Sinema Enstitüsü’de (Institut des Hautes Etudes Cinématographiques – IDHEC) sinema eğitimi almaya başlar. Bu okuldan ‘En İyi Yönetmen’ ünvanı ile mezun olan yönetmen, bu dönem (1963 yılında) gerçekleştirdiği iki kısa filminden ilki olan ‘Bir Kadın’ ile IDHEC, ikinci kısa filmi Şafak ile de hem IDHEC hem de Avusturya Kültür Bakanlığı En İyi Film ödülünü almıştır.” Burak Çevik, Sinematek.tv: http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).
“Graduated from Galatasaray Highschool, Heper who first involved in filmmaking in Paris initially went to Geneva to study law. Because he was unhappy in Geneva, he left the law school and went to Paris to study filmmaking at Institut des Hautes Etudes Cinématographiques (IDHEC). He graduated from IDHEC with the award, “the best director.” The two student short films, Bir Kadın and Şafak, made by Heper when he was at IDHEC, received the best film awards from both IDHEC and the Austrian Ministry of Culture. Burak Çevik, Sinematek.tv http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).
Luci di Parigi: da mattina a sera ed a notte = Lights of Paris: from morning to evening and at night.
"Objectif Festival is a story based - on truth or not, we don't know - of an old photographer who decides to bring his camera, tripod and all, the to the Cannes Film Festival to get a few still shots. He is not prepared for the fast shooting shutterbugs of today, nor the Bikini clad French dolls that litter the beaches. Time has passed him by in more ways than one. The film has been cleverly cut to fit its musical score, and this unusual editing has earned for the film the MPD Golden Scissors Award for the best film editing in the contest" PSA Journal, Sept. 1964, 50-51.
"George Kiehl's visit to Paris took him to many of the places of interest in the visitor. His fast moving travelog takes us through the main streets and some of the old sophisticated areas. We begin with the landmark of the 1889 Exhibition, followed by fountains, facades, monuments of marble and bronze, parades, tired souls asleep on the street, art centers, castles, water excursions, and, not to forget, Moulin Rouge and other night spots with choice centers of attraction" PSA Journal, Nov. 1958, 48.
"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid employs his flair for amateur production to spice up his home movies of a romantic trip to France. Acting in a moment of impulse, a man proposes to take his female friend to Paris. Leaving behind Dover's white cliffs, they arrive in Calais 'in less time than it takes to read the Bible'. Once their car - named 'Tilly' - has been unloaded, they set out to Paris via Le Tréport, Belleville, Rouen and Louviers. Arriving in the French capital they head straight to 'the film director's joy', the Avenue des Champs-Élysées and L'Arc de Triomphe, visit the Paris Bourse and tour the city's streets and boulevards. Pausing for a drink, they continue on to Place Saint-Augustin and Montmartre, dining at Moulin de la Galette - 'a tourist's paradise...pay double and eat half' - before catching a film at Studio 28. Tearing themselves away from the city of light with one last drink at Cafe George V, they drive through a gathering storm to Étaples and on to Le Touquet-Paris-Plage, 'haunt of motion picture stars', before a flurry of editing retraces their trip, marked out on a map" (EAFA Database).
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Amateur Cinema