"May Day Conflict is a well executed and skillfully edited family story film of the conflict created by the opening of the trout season and a flower festival both falling on May first. The central character is a good loser (the husband, of course!), as he accompanies his wife to the flower show after elaborate preparations for his fishing trip. Herbert F. Sturdy has deftly woven into the story pattern light, humorous incidents to provide amusing comedy relief from his fine floral closeup studies. Expert camera handling and smooth transitions lend a semi-professional finish to the picture." Movie Makers, Dec. 1948, 493-494.
"Film of members of the Toronto Movie Club filming fruit tree blossoms and scenery at the Woodley family property at West Hill." Library and Archives Canada.
"Revelation indeed reveals the slow, but intense, life of flowers as they unfold. Hans J. Theiler, who built a special mechanism for the purpose, has made time lapse studies of blooms in their determined efforts to find sunlight. Other flowers lose as well as open. The time lapse sequences are preceded by closeup footage of various blooms impeccably filmed. In the chief section of the picture, Mr. Theiler has caught very dextrously the unusual and almost terrifying performances of plants as they carry on their exceedingly active careers. The time lapses are exceptionally smooth." Movie Makers, Dec. 1944, 496.
"A. M. Zinner has performed not only a labor of love in Romance of the Hybrid Orchid, but he has made an important contribution to the available information about orchid growing. Given the run of Shaw's Garden, the famous botanical park of St. Louis, he has traced the life of hybrid orchids from seed to full flowering, with especial study of the behind the scenes events in the hot beds and potting rooms. Outstanding is the section of the film devoted to the care and exact technique that must be used in handling seeds while they germinate. With this work of several years, Mr. Zinner takes his place in the ranks of significant amateur naturalists who have provided exhaustive records of some special field. In offering his carefully planned and detailed footage, Mr. Zinner also gives some very lovely flower pictures, including the rarest of the world's orchids. Beautiful camera work and expert sequencing mark the picture." Movie Makers, Dec. 1943, 474.
"The rose, a young girl, so proper, and so elegant in her royal dress, jewelry and jeweled crown. The weed, also a lovely girl, simply dressed and scorned by the rose. By scissors the rose is cut and its petals picked away to the delight of the weed, but then a gloved hand pulls the weed and leaves it to die in the sun. Can it be that some do not like weeds?" PSA Journal, Nov. 1960, 42.
"September Peace, Robert P. Kehoe will tell you, is a film which not only made itself but named itself. It is, patently, a product of this world at war, the unconscious reaction of a sensitive spirit too long abraded by the rough edges of conflict. In it, Mr. Kehoe has found again the lyric loveliness of field and flower, the beneficent sturdiness of great trees, the warmth and beauty of the slanting sunlight. Unusually effective scoring plays its part in creating this moving attestation to the joys of peace." Movie Makers, Dec. 1943, 478.
"Garden shots, including time lapse shots of flowers opening, and a 1962 parade in Sidney or Victoria" British Columbia Archives.
"Springtime in California, by F. B. Judson, ACL, is an example of what every Kodachrome filmer would be proud to have made, because it studies Nature in her most extensively colorful manifestations, with complete freedom of camera viewpoint, offering closeups, medium shots and long views, all of them richly hued. This film indicates a delicate appreciation of color on the part of its maker, who. having a highly chromatic subject to his hand, did not let it run away with him. but kept it well under control, with the result that he delights with his management of pastel shades, where another might have omitted these and substituted garish footage so easily available in the highly colored California landscape. Mr. Judson is awarded Honorable Mention because he has done a typical thing — a Kodachrome landscape study — with restraint and liveliness, combining two qualities not always found together." Movie Makers, Dec. 1935, 553.
"These Bloomin' Plants, by Eugene L. Ritzmann, has been given Honorable Mention because of the striking technical tour de force which it represents. In it, Mr. Ritzmann has pictured, by means of a camera controlled by a mechanism of his own design and construction, the actual blossoming of some half dozen or more flowers. Through this device of time condensation, buds are seen bursting open before one's eyes, often in cascades of beauty which vividly suggest the magic of colored fireworks against a night sky. The technical management of this difficult and esoteric phase of photography was almost without flaw. In the opinion of the judges, however, Mr. Ritzmann failed to do full justice to his material, both in his editing and in his title treatment." Movie Makers, Dec. 1936, 551.
"Robert P. Kehoe, who won Honorable Mention last year with Chromatic Rhapsody, has "done it again" — only more so. In Wildflowers, with his own inimitable magic, he has gathered into light and color all the lazy loveliness of high summer. Here, as if he talked their secret language, bees drone and butterflies dance before his lens. Daisies and buttercups, the wild geranium and "butter and eggs" — a dozen flowers you do know and a score you have forgotten — nod in the warm sun with simple and unassuming beauty. Often, six blades of grass and a single bloom will comprise a moment of ineffable gaiety and song. The rough wood of a slanting black post gives accent to a field of daisies, or the delicate tracery of a "four o'clock" is a breath taking frame for a summer sunset. In Wildflowers, Mr. Kehoe has written once again a lyric testament to nature's incomparable loveliness." Movie Makers, Dec. 1940, 600.
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