Sub-title: "Galiano Island 1940" Summary: "Impressionistic record of a sojourn on Galiano Island over a Labour Day weekend, with Oscar Burritt, Dorothy Fowler [later Burritt] and Margaret Roberts." (British Columbia Archives)
"Jack E. Gieck's film is a fanciful abstract study delineating the aspect and activity of the planet Uranus. In it he has wisely kept his footage brief. His lighting effects on models of the mountains and the color patterns of liquids reflect an imaginative concept. A rather too soft focus toward the end of Uranus is somewhat unexplainable, but his choice of an excellent musical score contributes to a fascinating creative experiment." Movie Makers, Dec. 1951, 412.
We Were Two is a black-and-white film done by a serious student of the film and a pretty consistent winner in film festivals, Larry Klubukowski of Stevens Point, Wis. Larry classifies his film as experimental and that it definitely is not a story film. And yet, it's not really an underground film. The filming technique is excellent and you have any choice of conclusions about what the film is about after you've seen it. Perhaps, that was Larry's intention—to get us to think," PSA Journal, Mar. 1970, 44.
"An experimental exercise with extension tubes, picturing textures in extreme closeup. Such materials as salt, bread, leaves, nylon hose, coffee grounds, book edges, etc., are shown highly magnified, then later identified in medium closeup shots. Idea is similar to quiz feature appearing currently in the Ford Times magazine." Home Movies, Sept. 1947, 586.
Animated film of windmills and revolving multi-coloured shapes and patterns, in time to the tune 'Windmills of My Mind' (EAFA)
"Yea, Verily touches on the experimental and runs the range of film tempo. If you sin you can be forgiven, providing you can find someone who will forgive you. Perhaps forgiveness is subjective after all, for does anyone else really care about your transgressions?" PSA Journal, Aug. 1967, 37.
"This film seems to pick up the same couple from “I’ve Got This Problem” (played by Don Klugman and Judy Harris) a few years later, as they attend a swinging bohemian party where they pilfer personal objects from the unsuspecting guests." Chicago Film Archives.
The film follows a group of children living in the same alley. The garbage truck arrives every day disrupting their dreams. The sleepy children are forced to take the garbage out every time and play in the alley after the garbage are taken. The garbage truck stops coming to their alley, allowing them to finally sleep and dream for longer but also results in the neighbours throwing garbage in the alley, stopping the children from playing together.
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