"'Moods of Nature' by Paul Brunford, recently won a prize in the Institute of Amateur Cinematographers' contest in England. Not only does Brunford show a fine sense of rhythm, but a keen eye for composition and a splendid sense of cutting and dramatic values in nature. This picture merely deals with a storm arising and then subsiding. Brunford uses both water and earth to show this. The smashing waves, bending trees and waving wheatfields combine to create his drama. His photography however, is something for which he is to be especially congratulated." American Cinematographer, Jan. 1936, 24.
"Muntre Streker, which (we are informed) means "Funny Lines" in a literal translation from the Norwegian, is a wholly delightful tid-bit of animated cartooning. In it, fat colored crayons — one dressed as a boy, the other as a girl — act out a simple story which is as gay in its good humor as the animation is flawless in its technique. Scarcely 100 feet in length, Muntre Streker is a bright and sparkling gem of film fantasy." Movie Makers, Dec. 1952, 339.
"Sailing around Alaska." UC San Diego Library.
"Sites around Norway." UC San Diego Library.
"Stuart Day relaxes at home. He is reading a book entitled 'Let’s Go Abroad'. His eye is caught by a description of a 9 day tour, including 6 nights in Zermatt in Switzerland, at a price of £9-19-6 (inclusive). Putting the book aside, he pulls out of his jacket a letter from the Rubber Neck Co. it is bad news. The letter informs the company’s shareholders that due to poor summer sales, no dividend will be paid. With a deep sigh, he puts the letter to one side, picks up the book and begins to flick through its pages. He chances upon an amateur film-making competition, with a range of cash prizes. Entry forms for the competition will be forwarded with the travel tickets purchased. Stuart Day looks around the room as deliberates how he can fund his holiday. His eyes settle on the amateur filmmaking trophies sitting on the sideboard and he decides to pawn them. He takes the trophies and receives cash. The opening sequence concludes as he places his tickets from the Polytechnic Touring Association into a wallet. The travel footage follows" (EAFA Database).
"Objectif Festival is a story based - on truth or not, we don't know - of an old photographer who decides to bring his camera, tripod and all, the to the Cannes Film Festival to get a few still shots. He is not prepared for the fast shooting shutterbugs of today, nor the Bikini clad French dolls that litter the beaches. Time has passed him by in more ways than one. The film has been cleverly cut to fit its musical score, and this unusual editing has earned for the film the MPD Golden Scissors Award for the best film editing in the contest" PSA Journal, Sept. 1964, 50-51.
"George Merz's cine visit to Europe has captured the old world charm from Holland to Monaco via Belgium, Germany, Bavaria, Austria, Switzerland, an Italy. There is countryside, cities, waterways, architecture, arts, crafts, ruins, and parades reminiscent of the traditions of centuries. A good coverage of so large an area in thirty minutes" PSA Journal, Nov. 1958, 47.
"George Kiehl's visit to Paris took him to many of the places of interest in the visitor. His fast moving travelog takes us through the main streets and some of the old sophisticated areas. We begin with the landmark of the 1889 Exhibition, followed by fountains, facades, monuments of marble and bronze, parades, tired souls asleep on the street, art centers, castles, water excursions, and, not to forget, Moulin Rouge and other night spots with choice centers of attraction" PSA Journal, Nov. 1958, 48.
"In Peasants, Konstantin Kostich, ACL, has produced a sympathetic and withal entertaining picture of the people of village and farm land in Czechoslovakia and Roumania. Expert photography, an understanding choice of camera angle and workmanlike sequences mark this interesting film study and serve as a vehicle for its outstanding quality — a sincere and attractive presentation of the people as they are, not as they might be made to appear for the sake of motion picture cleverness. Mr. Kostich needs rely only on his own skill and can afford to neglect making a point of what, in dress or custom, might appear to be a strange peculiarity to another people. Unlike many professional travel photographers, he can avoid these obvious aids to sustain interest and can present his peasants on the friendly basis of real understanding. This does not mean that he does not tell a real story; it simply means that he tells it fairly and sincerely and, hence, beautifully." Movie Makers, Dec. 1934, 534.
"As indicated by the title, Miss Webb-Smith has built her picture around people; street scenes of people going about their business, children at play, girls with heavy loads on their heads, laundry activities along the river shore, also some views of the architecture, cork harvest and processing. She lets us feel that w have visited Portugal" PSA Journal, Oct. 1961, 49.
Total Pages: 12
Amateur Cinema