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Glimpse of Paris, A

Date produced: 1964

Filmmaker(s):

Helen C. Welsh

Description:

"A Glimpse of Paris shows us the usual sights of the French capital as well as some of the less common places. Tight editing keeps the film moving yet the feel of jumping rapidly from one spot to another, so often prevalent in travel films, is not present in this one" PSA Journal, Sept. 1964, 50.


Glimpses of Italy

Date produced: 1935

Filmmaker(s):

A. I. Willinsky

Description:

"Item is a film taken by Dr. Willinsky of a trip to Rome, Italy. In the form of a travelogue, footage of landmarks, ruins and the local population are interspersed with captions that were added in by Dr. Willinsky to provide information about the country's history and culture. Included are shots of the Pantheon, the Colosseum, a Roman market, the Appian Way and dinner at a Roman restaurant. Dr. Willinsky's wife, Sadie, is occassionally spotted in the footage with travel companions who are probably relatives or family friends." Ontario Jewish Archives.


Glimpses of Rural Hungary

Date produced: 1933

Filmmaker(s):

Elizabeth Rearick

Description:

"Glimpses of Rural Hungary was the first film ever made by Elizabeth Rearick but its excellence must be credited to more than beginner's luck. It represents a willingness to follow instructions carefully and an ability to compose scenes as they are selected. The picture contains a charming record of the people and customs of Hungary, but capturing this was secondary, for Miss Rearick planned the film to be principally a record of folk dances. Most unusually accurate exposure and focusing make the film outstanding in its technical aspects. Clear, crisp, steady pictures inevitably do a great deal to present a subject in a delightful way. One of the remarkable features of the film was the rock steadiness of the camera, although Miss Rearick did not use a tripod at any time. The sequencing is worked out well and, although the film is intended for use in physical education work, it has a tremendous general interest value. The entire finished product is one of which an experienced filmer might well be proud." Movie Makers, Dec. 1933, 500.


Great Snowfall, The

Still from The Great Snowfall (1958) via EAFA

Date produced: 1958

Filmmaker(s):

Joan Hammond

Description:

'Scenes of Frinton covered in snow and ice. A man plays with a dog and people dig paths through the snow. People attempt to walk through the snow; some out to enjoy themselves, others seeking to carry out a normal routine of shopping and other daily business. A man tries to unlock his frozen car. In the town centre there is a shop with a 'sale' sign in the window. The area is practically deserted. Hammonds' filling station is covered in snow and deserted. A lorry attempts to drive through the snow, but is having to rely on a push. One vehicle that does manage to take to the road is a Land Rover. Finally, a snow-covered St. Mary's Church and frozen power cables brought down by the severe conditions' (EAFA).


Het is Lente in Holland!

Date produced: 1954

Filmmaker(s):

Esther S. Cooke

Description:

"Het is Lente in Holland!, by Esther Cooke, may well be one of the most beautiful and perceptive travel studies of this (or any) contest year. For here is no banal tourist mish-mash of the usual wooden shoes, windmills and cheese markets; we find in their stead a literate and respectful account of a small country with its old and cherished travel conditions. Technically sparkling and esthetically pleasing, It is Spring in Holland is so deceptively simple that each viewer is likely to assume that he could easily do likewise. But the skill which Mrs. Cooke has lavished on each succeeding scene should not be taken lightly. Her exposures are exact, creating color which seems magically luminescent; her viewpoints are knowingly selected to create fresh and revealing compositions, and her editing has blended the whole into a travel study of exceptional poise and beauty" PSA Journal, Jan. 1955, 48-49.


Hob-nobbing with Homer – Hermes en Grece

Date produced: 1956

Filmmaker(s):

A. I. Willinsky

Description:

"Item is an audio-visual production of Dr. Willinsky's Hellenic cruise near Greece with his wife, Sadie. Production contains footage of the ancient ruins and other landmarks they visited, including sites in Mycenae, Pergamum, Athens, Troy and Gallipoli. In the form of a travelogue, music and Dr. Willinsky's commentary accompanies images for about the first 30 minutes. The remainder of the production is mute." Ontario Jewish Archives.


Holiday Scenes in Kent

Date produced: 1930

Filmmaker(s):

Eunice Alliott

Eustace Alliott

Description:

"Film record of a holiday in Kent, including footage of Eunice and Eustace Alliott, the activities of other holidaymakers, and sights encountered on the road" (EAFA Database).


Hortobagy

Date produced: 1969

Filmmaker(s):

Attila Szilagyi

Description:

Hortobagy is a strange title, but only because the film comes from Hungary. Szilagyi Attila of Hungary shows us the plains of his country and the life of the Hungarian Cowboy and the Hungarian Sheepherders. The film is in black-and-white and is a very interesting 16 minutes about people, costumes, and a land that very few of us have an opportunity to see. The filming is well done and the sound track is in Hungarian," PSA Journal, Mar. 1970, 43.


Immagini di una grande città [Images of a Great City]

Date produced: 1936

Filmmaker(s):

Onorato Isacco

Description:

"doc. a fantasia"/avant-garde documentary


In Linden Lea

Date produced: 1939

Filmmaker(s):

A. Scott Moorhouse

Description:

"In Linden Lea is A. Scott Moorhouse's tribute to a mother land, a tribute paid with distinction and an admirable warmth of feeling. We go to the English countryside, where Mr. Moorhouse sings, in film, the ancient refrain that Chaucer, Shakespeare, Gray, Wordsworth, Jefferies, Kipling and Brooke lifted in the English tongue. It is Mr. Moorhouse's good fortune and his sound cinematic ability that have permitted him to bring what he feels so strongly in a very direct fashion to his audience. His is the last sight of a peaceful England, recorded with vibrant emotion. "Rainbows; and the blue bitter smoke of wood; "And radiant raindrops couching in cool flowers; "And flowers themselves, that sway through sunny hours, "Dreaming of moths that drink them under the moon; " These, Mr. Moorhouse has greatly loved, as did Brooke, and in English woods, he would hope we shall "see no enemy, but winter and rough weather." In this beautiful Kodachrome footage are preserved the byways, the little ways, the errant and individual ways through which wander the casual cows, the meandering motors, the clopping carts and the quiet English, themselves, while to right of them and left of them are "English unofficial roses." And there is "honey still for tea" in this English land, and people to enjoy it, unhurried and unflurried. Mr. Moorhouse has pictured a way of life by suggestion, because his scenes are almost all with few human beings, but he has pictured it sharply and triumphantly, even if tenderly. In this brief essay in film is the essence of "This royal throne of kings, this scepter'd isle, "This earth of majesty, this seat of Mars, "This other Eden, demi-paradise; "This fortress built by Nature for herself "Against infection and the hand of war; '"This happy breed of men, this little world; "This precious stone set in the silver sea . . . "This blessed plot, this earth, this realm, this England." Movie Makers, Dec. 1939, 609, 631-632.


Total Pages: 15