"Winged Hickory on the high snow-covered slopes in the area of Aspen, Colorado (not far from Denver) is a nostalgic piece of winter ski sports by Theodore H. Sarchin. Aspen is a famous old, deserted silver mining town that has been rejuvenated by ski enthusiasts taking advantage of the excellent slopes and weather conditions. The ski lift is the longest in the world. It requires 40 minutes to ride its full length, in two sections, to an elevation of 11,300 feet. There are beginner and novice trails and challenging slopes for the experienced skier. There are vistas of the towering snow-covered mountains as well as activities in camp. During one of the Gala Days, Mr. Sarchin photographed some unusually expert skiers, such as one on tall stilts, and four men on two long skis, sort of like four men on a horse. The beauty and grace of the skiers, speeding along with the snow feathering out behind, make the rugged beauty of the terrain an outstanding picture. The background music is well chosen and Mr. Sarchin's narration is adequate" PSA Journal, Nov. 1957, 53.
"A documentary made in association with the Bournemouth, Poole and Christchurch Wing of the Air Training Corps (ATC) produced under the auspices of the Air Ministry. A young man works in a grocer's shop and wraps up slices of bacon in a newspaper telling of Hitler' s victories. He cuts out a piece about the ATC. With friends he goes to the cinema (the Moderne) to see 'Week-End in Havana' (1941) and in the foyer signs up for the ATC as a flight mechanic. (EAFA Database)
"An excellent coverage of the sports events, of the 1960 Winter Olympics at Squaw Valley, and those in attendance. This presentation of figure and speed skating, ice hockey games, trail skiing and skii jumping with a good view of the spills, and sundry outdoor activities, will be a pleasure to those who enjoy the sports. Truly a fine presentation of the subject" PSA Journal, Oct. 1961, 48.
"Film features people walking in the winter, with the camera focussing mostly on their legs and feet" Archives of Ontario.
"The Yamamoto picture was a record of a hike over the hills and the countryside with a dog." American Cinematographer, Feb. 1937, 73.
"Two reels of film recording the activities of the Old Berkeley Hunt in the cubbing and hunting seasons." (EAFA Database)
"Wood block printing is one of the highest forms of art in Japan. It was first introduced into that country 2000 years ago, from China. With hammer and chisel, various cuts are made in the wood block to create the pattern to be printed. A separate block is cut for each hue. The form of each block is inked and impressed upon the paper or cloth or obtain the complete print. The picture takes us gently stimulate our interest in the art of wood block printing. we are privileged to see some of the exquisite prints. The narrator's voice with its oriental flavor adds a delightful touch to the picture. This will be included in the Package" PSA Journal, Oct. 1962, 34.
"“Wooden Face of Totonicapan” is a [1942] color film covering the art of making wooden masks in Totonicapan, Guatemala. The film was made under the auspices of the "Good Neighbor" film project, run by the Office of the Co-Ordinator of Inter-American Affairs in New York as part of the WWII war effort. It was produced by Ralph E. Gray." Periscope Film.
"The World's People, production of Edmund Zacher, II, ACL, and Herbert Johnson, ACL, with musical accompaniment and incidental sound effects by the record and double turntable method and with a narrative presented by Mr. Johnson through the sound system, offers a combination of visual and aural entertainment that is marked by a finish and perfection in cinematography and an interest and liveliness in accompaniment. The film describes a visit to the Century of Progress exposition in Chicago, featuring as its theme the many races and nations of the world represented there. The cinematography of Messrs. Zacher and Johnson is effortless and of uniformly high standard, is playing with intelligent restraint the effects used by professional cameramen. The combination of long shots, medium views and closeups leaves no beholder unsatisfied in any scene presented. There is a decidedly human character in the whole footage and the people are never overshadowed by architecture or machinery. In one place, two somewhat indignant ladies are seen in vigorous and disapproving conversation, for example, yet they are entirely unconscious actors. In continuity planning and execution, in cinematographic perfection and in a satisfying and informing use of excellent narrative, music and sound effects, The World's People sets a high standard in starting out to do a thing and doing it with sureness and real success." Movie Makers, Dec. 1934, 546.
Total Pages: 79