"Although there is no actual violence portrayed in this psychological thriller, Storm Due — in which a young wife discovers her husband to be a murderer — is instinct with mounting tension and terror. Francis J. Barrett's film is a potent combination of several related elements. Wedded almost as one are dramatic, hard-hitting camera angles and the visual stimulus of brilliant, low-key lighting. Acting of theatrical calibre by the young wife is accented by an off-stage voice which underlines her fears — a technique that suggests a loan from the best in modern radio. A taut continuity only hints at the story line as it hurries through this exciting evocation of violence. This very economy of dramatic exposition, in fact, will make Storm Due an unpopular and often misunderstood production. For these reviewers, however, it remains creative cinema of a very high order." Movie Makers, Dec. 1949, 454-455.
"Filmed by Arthur H. Smith of San Francisco, the story opens with Jackie, a lad of 4 years, playing on the sidewalk near his home. Observing a kitten crossing the street, his natural inclination toward pets impels him to run into the street after it. An unseen car bears down upon the boy and the driver is unable to avoid striking him down. Jackie is rushed to the hospital where his life is saved with difficulty, although he will be permanently crippled. The doctor advises Jackie's parents that although he has survived the operation, the lad has only a short time to live." Home Movies, Dec. 1946, 749.
"El título venía del juego de palabras con "West/Oeste" que da origen a "western". Alegaba la posición sureña de México en relación con el viejo oeste estadounidense y por eso se llamaba Sur. Al inicio de la película, sobre el título, una voz en off se aseguraba de explicarlo "Sur: Un western de acá de este lado"" (Vázquez Mantecón, 2012).
"The title is a game with the words "West/Oeste", that originate the term "western". It pleads the southern position of Mexico regarding the old United States west, and that is why it was called Sur [South]. At the beginning of the film, above the title, an off voice makes sure to explain it "South: A western from this side"" (Vázquez Mantecón, 2012).
"a murder mystery drama with a cast of at least 14 players" (HMHT 1933: 299).
"An honorable mention in the 35 millimeter division went to Thomas Fisher, of 410 Semple Street, Pittsburgh, Pa., for his grim and Barrymorish study of Poe's 'The Tell-Tale Heart.' Mr. Fisher played two parts, displayed no little skill in make-up and worked out an interesting, if gory, film." Photoplay, Jun. 1928, 137.
"It is a late fall day, blustery and bleak, just before the first snow. The visit by the Angel of Death is heralded by the blowing leaves and the lonesome cry of the starlings. Dramatic camera work and original music scoring create the suspense and drama of this story in a setting of an old New England state in the early 1900s. This highly imaginative film by John Riley was awarded the MPD Student film Award" PSA Journal, Oct. 1963, 41.
"Myron F. Pettengill was awarded the trophy for Scenario pictures. This is a 16mm film of about 400 ft. It is a story of the Northwest Mounted. Pettingill is to be commended for his direction, his types, and the way in which he costumed his people. He injected little touches in his characters that left no doubt as to what they represented. He costumed them convincingly. It had many indoor scenes and of course a large amount of outdoor snow scenes. There was a fine handling of the camera." American Cinematographer, Jan. 1937, 25.
Total Pages: 5
Amateur Cinema