"In May-June 1988, Robbins Barstow and his wife Meg, of Wethersfield, Connecticut, USA, made a six-week trip around the world. Places visited include Hawaii, Austrailia, New Zealand, Singapore, Thailand, India, and London, England." Archive.org
"Buildings and activities in Sydney, filmed in colour" (EAFA Database).
"Stretching for more than a thousand miles along Australia's northeastern coast stands the Great Barrier Reef, a vast agglomeration of tide-swept coral islands and islets. For mariners who have threaded their way through these perilous formations, they hold little of enchantment. But to Alfred T. Bartlett (who confines his camera to the Whitsunday group) they are such stuff as dreams are made on — and he has portrayed them thus in The Enchanted Isles. Mr. Bartlett's canvas is a rich one, comprising all of the classic elements of romance: the sun-drenched strand, the nodding palms, the lovely girls and, always and ever-present, the clean blue of the sky and the yet-deeper blue of the circumambient waters. He has painted these elements both in large, lush compositions and with observing attention to the minutiae of vibrant life around him. Even his colors (via the magic of the pola screen) are richly sensuous in their depth of saturation. An unabashedly romantic narrative ("Have you ever dreamed a secret dream?" is the opening line) rounds out this affectionate and interpretive travel study." Movie Makers, Dec. 1953, 333-334.
"From Australia James A. Sherlock sent 'Harbor,' a picture in Kodachrome. While the picture was well made, finely edited and cut, it suffered from uneven coloring and density. Undoubtedly much was taken with the earlier Kodachrome which darkened rapidly after it was exposed if it was not rushed to the processing plant." American Cinematographer, Feb. 1937, 73.
"Victor E. Pye, using his family as the principal actors in a sincere and competent photoplay, brings us the flavor of family life in far away Australia. With a sure cinematic sense, he opens Inspiration with a moving dolly sequence which carries you into the house directly to the star of the film. With creditable economy of footage and compelling acting and directing, Mr. Pye tells a simple tale of a once crippled child returned to health through the inspiration of a famous figure skater — herself a former "polio" victim. There are also several scenes from which it becomes obvious that the movie maker has profited from viewing theatrical productions with his mind on his own filming. Suave and sensitive, Inspiration becomes moving and believable as the plot unfolds." Movie Makers, Dec. 1946, 488.
"Narraburra is a slick piece of drama telling of the misfortune encountered by a prospector in the wilds of Australia who is thrown from his horse and breaks his leg. While his friends go for aid, a colony of meat ants find him and he knows that in a short while they will eat his flesh until he dies. How he keeps the ants from achieving their objective provides good cinema fare" PSA Journal, Sept. 1966, 35.
"The subject of 'Nation Builders'—the history of Australia—is without doubt the most ambitious ever undertaken by any amateur filmer. The fact that the project was successful is in itself a tribute to Sherlock's skill. Granted that in connection with the 150th anniversary of his nation's founding there were pageants re-enacting historic events and an opportunity for an alter filmster to photograph them: but how many times have not other amateurs scored dismal failures trying the same thing? Filming such a pageant, it is all too easy to capture only the impression of history actually happening. The twentieth century background which must so often have been just beyond the camera-lines was never permitted to intrude upon his eighteenth and nineteenth century action." American Cinematographer, Feb. 1939, 61.
"On the Reef can refer to only one place in the world and that's the Great Barrier Reef off the eastern coast of Australia. Graemer Grosvenor handled the world of sea life very nicely with a smooth flowing story of a group of young adventurers in this area of the unusual. This film from Australia had no difficulty in capturing the Nature Film Award" PSA Journal, Oct. 1968, 49.
"The Ostrich Story by R. D. Charlton, a PSA member of Alexandra Headland, Queensland, Australia. Roy has many past winners to his credit and this film can only add to them with an unusual subject such as this. This 5-minute 8mm film was awarded an Honorable Mention" PSA Journal, Nov. 1971, 42.
"Ramblings Around Sydney, by James A. Sherlock, ACL, is a carefully planned and photographed motion picture study of a city, a happy example of what care and cinematic sensitivity can do for this type of subject. Although Mr. Sherlock did not commit himself to any strong continuity theme, the picture yet has a delicate cohesiveness that defied the best efforts of the earlier amateur movie makers. Outstanding are the filter shots, the shots made of city streets in the rain and the night scenes. Throughout there is a careful choice of camera viewpoint which succeeds in revealing many aspects of the city in relatively short footage. The whole is welded into an enjoyable subject that would entertain any audience." Movie Makers, Dec. 1934, 547.
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