"201-203 tells the simple story of man and woman, the alienated anti-heroes from two civilizations at the opposite ends of the spectrum, Asian and America. They try to make contact, through reality as well as fantasy, against a backdrop of technology and pop theology. Well acted and well photographed" PSA Journal, Aug. 1967, 36.
"In May-June 1988, Robbins Barstow and his wife Meg, of Wethersfield, Connecticut, USA, made a six-week trip around the world. Places visited include Hawaii, Austrailia, New Zealand, Singapore, Thailand, India, and London, England." Archive.org
"A delightful bit of drama filmed by Kazuo Nakamura again illustrates that one does not have to travel far from his home to film a picture. This was filmed in Japan and one may assume that the maker had the cooperation of a local dramatic group. Mr. Nakamura has shown his skill and accomplishment in the finished product. It is a story within a story. The father tells his young son and daughter about the legend of the arrow which comes from nowhere to fall upon a roof. That home must sacrifice a daughter to some unknown person which in the story is a terrible old tiger. The animal, in the disguise of a man meets his fate at the hands of a god who disappears as mysteriously as he had appeared, while the villagers dance and celebrate their freedom. The children are now fast asleep. Although their native language is heard throughout, the story is easily followed. The costuming and acting are superb in their simplicity." PSA Journal, Nov. 1957, 32.
"Col. Kelly took the time to use his camera effectively on an assignment in Korea where the older folks are referred to with family reverence as Papa-san and Mama-san. Here we have a review of life in Korea as an Army officer may see it. After the war there is reconstruction and training of the 4th largest standing army in the world. A country divided at the 38th parallel must live under the protection of a well-trained army, trained by U.S. personnel. A documentary-travelogue that lives all of its 25 minutes of screen time" PSA Journal, Nov. 1959, 47.
"Like the title, it is really 'Beyond Manila.' It takes the follower into a country that has been little photographed, one part of that territory being the land of the Igorrote, in Northern Luzon. There is much to be seen of the people, the way they dress and live and work. There's abundant scenic beauty in the Philippines. We see many evidences of it in the pictures here shown of mountain and plain—of stream and waterfall. The natives, too, are real workers, women as well as men." American Cinematographer, Jan. 1939, 16.
"Another of Mr. Horovitz's fine travel films of the Orient. This time the city of some 400 Buddhist temples, Bangkok, where the Emerald Buddha may be seen. the city is old but some of its new areas are modern. We visit several areas of the city including its waterfront where a large part of the population continues to live with its busy traffic of small boats and river merchants" PSA Journal, Nov. 1959, 48.
"In September 1985, Robbins Barstow and his wife Meg, of Wethersfield, Connecticut, USA, went on a four-week tour of China. This personalized travelogue includes visits to Shanghai, Beijing, the Great Wall, Xian, Guilin, and a cruise down the Yangtze River." Archive.org
"The feature length photoplay produced in Siam by Nai Bernard Juangbhanich is one of the best of the serious dramatic efforts produced by amateurs. The story deals with the profligacy of a young Siamese who has been educated in Europe. Feeling superior to an ordinary business career, the young man determines to write, with the consequent search for "experience and atmosphere." In the succession of romantic episodes that follow, the theme of the tale is developed with extraordinary skill and, in spite of the manifest satire in several of the sequences, the picture includes many sincere glimpses into the social life and customs of the upper classes of Siam. Completely blinded and embittered as the result of his folly, the protagonist finally comes to terms with himself and actually does succeed as an author. Although this plot follows a familiar outline, Mr. Juangbhanich again proves that it is not the essential plot but the treatment that counts. The picture includes flaws both in photography and continuity but they appear unimportant in view of the general photographic quality and the epic nature of the treatment. It was recently screened for the staff of the Academy of Motion Picture Arts and Sciences." Movie Makers, Dec. 1930, 759, 787.
"William Hahn's 'Emerald Stairway - Sulu Seas' is a 16mm Kodachrome documentary of life and scenes in the Philippines, and notable for its consistent color quality and expert photographic treatment." American Cinematographer, May 1952, 224.
"Vincente Mills, of Manila, Philippines, for his entry in the American Cinematographer 1933 competition will make a religious picture built around the practice in his country which takes place during Holy Thursday and Good Friday each year. As this practice is fast disappearing, according to Mills, it will also act as a fine historic record." American Cinematographer, Sept. 1933, 191.
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