Paradoy of the avantgarde film culture of the era, including references to Salvador Dalí, Luis Buñuel, Joan Miró and dancer Àurea de Sarrà. It is interesting because it shows the crossed dialogue between these different film cultures that functioned beyond the realm of commercial cinema.
"Siete cortometrajes de Maris Bustamante y Rubén Valencia, integrantes del No Grupo, que indican el acercamiento de artistas plásticos al formato súper 8. Los trabajos del No-Grupo tendieron a hacer una reflexión a la vez lúdica y crítica sobre la naturaleza del arte" Superocheros.
"Seven short films made by Maris Bustamante and Rubén Valencia, members of the No Group, that indicate the interest of artists in the plastic arts to use the super 8 format. The works of the No Group were usually a playful and critical reflexion on the nature of art" Superocheros.
"Portrait in Bronze is an excellent documentary of the making of a bronze bust from the first sitting and the sculpturing in clay right on through to the finished product. The original was shot on Ektachrome commercial and the projection print is excellent in every particular - a large factor in the film's success. It received the MPD Golden Scissors Award for best editing of any film in the contest" PSA Journal, Sept. 1965, 50.
A film with the artist Morris Blackburn as its subject.
"The mind and heart of Lydia are portrayed symbolically in smooth-flowing, single-framed drawings in this psychological study of a woman. A different film for the devotee of the experimental approach to motion pictures" PSA Journal, Oct. 1963, 42.
"Black-and-white home movie provides a tour of Rockefeller Center, including scenes of Mary Pickford and Buddy Rogers at a garden event." oldfilm.org
"Close study of the Town Hall Clock in Rothenburg and the activities of people at a fountain" (EAFA Database).
“İlk film çalışmalarını Paris’te gerçekleştiren Heper, Galatasaray Lisesi’nden mezun olduktan sonra önce hukuk okumak için Cenevre’ye gider lakin mutlu olamaz ve okulu bırakarak Fransa’ya geçip, Paris Yüksek Sinema Enstitüsü’de (Institut des Hautes Etudes Cinématographiques – IDHEC) sinema eğitimi almaya başlar. Bu okuldan ‘En İyi Yönetmen’ ünvanı ile mezun olan yönetmen, bu dönem (1963 yılında) gerçekleştirdiği iki kısa filminden ilki olan ‘Bir Kadın’ ile IDHEC, ikinci kısa filmi Şafak ile de hem IDHEC hem de Avusturya Kültür Bakanlığı En İyi Film ödülünü almıştır.” Burak Çevik, Sinematek.tv: http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).
“Graduated from Galatasaray Highschool, Heper first went to Geneva to study law. Because he was unhappy in Geneva, he left the law school and went to Paris to study filmmaking at Institut des Hautes Etudes Cinématographiques (IDHEC). He graduated from IDHEC with the award, “the best director.” The two student short films, Bir Kadın and Şafak, made by Heper when he was at IDHEC, received the best film awards from both IDHEC and the Austrian Ministry of Culture. Burak Çevik, Sinematek.tv: http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).
"To present, on 8mm. Kodachrome, where the problem of definition in distant shots is made more difficult by the greater screen enlargement in projection, a serious and satisfying architectural study of a structure that extends not a few hundred feet into the air, but thousands of feet horizontally, is a task that calls for skill in movie making. Raymond O'Connell, in San Francisco — Oakland Bay Bridge, has exhibited that skill and has to his credit, in this film, a definite accomplishment. The study is rendered comprehensible to the audience, at the very outset, by the use of a model of the bridge, which is introduced in the course of the picture, with excellent effect. In several instances, one passes from a shot of the model to another of the actual structure from the same angle, and so easily that it is possible to forget the cinematic labor put forth in finding a vantage point for the camera to show exactly what was needed. Of especial merit are shots of the changing pattern of the cables, made from a moving motor car, which provide a fine essay in abstract design." Movie Makers, Dec. 1938, 620.
"Materials of Ron Boise's art are found in the wrecking yard. Welding, burning, beating on the discarded metal, the artist works from a life model. He seeks not so much to represent the human form as to express it through his "junk" medium. Music is provided by Dr. Fred Katz, Professor of Anthropology at CSUF." Via WorldCat
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Amateur Cinema