"Mungo Martin demonstrates the making of a Bee Mask. Tony Hunt models the mask and provides a short rendition of the Bee Mask Dance" (Duffy, 140).
This film is also known as Mungo Martin Makes a Mask.
"Sites around Norway." UC San Diego Library.
"An amateur film made by and starring the husband and wife duo, John & Evelyn Kibar. The couple visit an art gallery, where John proclaims he can make art just the same. Title cards with dialogue are dispersed throughout the film." Chicago Film Archives
"Brief shot of the Town Hall clock in Rothenburg" (EAFA Database).
"Many forms of art originated in old Japan. Here is a demonstration of a unique and improbably one that began as entertainment for children. Origami, the art of paper folding, is charmingly portrayed and described in this very imaginative film. One of the Ten Best, it will be enjoyed in the 1963 Top of the Ten pack" PSA Journal, Oct. 1963, 40.
"Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging operations, other vessels, etc." British Columbia Archives.
"Cruise on Toketie. Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging, other vessels, etc. Notably, there are good shots of the abandoned villages of Gwayasdums, Karlukwees, and Mamalilaculla, as well as the burial ground on Klaoitsis Island" British Columbia Archives.
"In Paintings, George E. Canning has hung his story on a simple plot that serves to display an artist's works. A lady makes an appointment with the artist with the intent of making a purchase. The artist, beset by a pile of bills, wonders what he should charge or hope to get; and here figures expressing his thoughts are cleverly superimposed on the scenes of action. The paintings are interesting in themselves for their variety of subject matter and style (this fact rather belies the artist's penury), and the interior lighting throughout the film is excellent. The artist (John S. Arhorn) is well played by himself, the lady by Julia Canning. One could wish that the plot's denouement is not so readily anticipated." Movie Makers, Dec. 1952, 340.
"This experimental film by Kenneth Anthony (credited as Ken Anthony) is a twist on the novel The Picture of Dorian Gray by Oscar Wilde. The main character, a young man, has a portrait of himself in a contemporary style. Over the course of the film, images of traditional paintings begin appearing on his body, much to his concern. After he leaves, his female companion is chased by the portrait. As more images appear on his body, the young man decides to destroy the portrait. He fails, however, and turns into a work of contemporary art himself. He is sent to a gallery by the women in the film, all of whom fall in love with the portrait. The final shot indicates that the portrait may come to life" Texas Archive of the Moving Image.
"A bit of humor comes to the fore when an artist, copying a famous painting, leaves his easel unattended. Sundry persons passing through cannot resist the urge to apply the pigment, just a helpful touch. Even the pictures on the wall take note of the goings on" PSA Journal, Oct. 1961, 49.
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