"Color, light and movement are skillfully and pleasurably combined in Jose M. Pavon's Form in Motion, an experimental film that "experiments" in the best sense of that word. Employing such simple properties as shower curtains, knives and forks and Mexican glassware, Mr. Pavon has used both his camera and his imagination to great effect. Unfortunately, the film from time to time moves beyond the subject matter limits set up by its title, an inconsistency which mars slightly the overall impact." Movie Makers, Dec. 1950, 467.
"A horror drama film. A missing broker makes headline news, while a work colleague searches his coat left at work and finds a scrap of paper with an address written on it (the no.49 of the title) and decides to investigate for himself. Arriving at No. 49 the second broker breaks in through a sliding sash window and finds himself in an altar room at the Cult of Raven. Hiding behind a curtain he waits while the rooms fills with cult members preparing for a sacrifice which turns out to be of the original missing broker. The second broker watches as the executioner prepares by smoking a cigarette and polishing his sword, but one of the group of dancing maidens in the cult spots the second broker and screams drawing attention to him, thus marking him for sacrifice instead. However the maiden intervenes and suggests that he shouldn't be killed here, the priestess agrees and passes the execution duties to the maiden and gives her one hour to present the head of the second broker at the altar. The maiden later interrupts the executioner and asks for his help, he points at a metal presentation dish and suggests a ruse. Next the maiden sneaks into the room where the two brokers are now locked. With pen and paper she allows them to write a notice asking for help. She then smuggles this to the outside world and gets a stranger to take the note to the brokers’ employers. With time running out the maiden presents the head of the stock broker on a plate at the altar. The plate has a hole cut in it and under the altar table is the very much alive rest of the broker. The incense burning as part of the ritual however creates a fly in the ointment as it blows across the supposedly disembodied head, after a little bit of false jeopardy where the broker nearly sneezes. The broker is not so lucky the next time and is unable to stifle his sneeze therefore causing the ruse to be rumbled. Fortunately at this exact moment the police arrive to save the day, having been contacted by the broker's office upon receipt of the note asking for help the maiden smuggled out of the cult headquarters. Finally the broker and the maiden kiss (after removing the metal dish with a hole in it from his head) and then the executioner releases the original captured broker. After the credits there is a final scene where a policeman comically tries to remove the altar from the cult whilst trying to keep his wooden top police hat on." (EAFA Database)
"documentario turistico"/touristic documentary
"documentario turistico"/touristic documentary
"This striking example of enthusiastic club production efforts, revolves around four amusing stories which stem from the simple theme of for chairs—each responsible for the contribution of one story and its filming. Because of the outstanding qualities of "Four Chairs", it was awarded a special cup for excellent club production" PSA Journal, Dec. 1955, 35.
"A bridge party invite a mysterious stranger to make up a fourth at their table, only to be unpleasantly surprised by his card tricks. When their fourth player arrives late, the strange interloper disappears, leaving an oddly familiar Joker in his place" National Library of Scotland Moving Image Archive.
"Fowl is Fare is a documentary showing how Long Island ducks are prepared for market. Unusual angles and tight editing keep the film moving" PSA Journal, Aug. 1967, 37.
Total Pages: 299
Amateur Cinema