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Footlights

Date produced: 1938

Filmmaker(s):

Russell-Dellay

Description:

"Two theatrical agents, clearly averse to work, take pleasure in ridiculing the various performers who come to show their talents. The comedy turns slapstick as the agents unceremoniously dismiss the artistes, and even more so when the artistes subsequently take their violent revenge on the agents. The cine club shows its versatility by experimenting with a few camera tricks: at the beginning, with a spinning straw boater against a black background and later, during the sequences featuring 'Ricardo' the conjurer" (EAFA Database).


Footloose

Date produced: 1940

Description:

"Boy meets girl and color meets a cine club in Footloose, the latest production of the Rockville Cinema Club; the result is an able and entertaining farce comedy. In moving from black and white to Kodachrome, the members of this veteran group have taken the hurdle in their stride. If anything, the chromatic medium may be said to have added sparkle and brilliance to their plot complications and to the angles, editing and cutting with which they interpret them. Definitely keyed to the Hollywood '"screwball" school of roughhouse comedy, Footloose opens with a dynamic and delightful introduction of the players and carries on to involve a boy and a girl, an artist, his model and assorted comedy and character actors, in random but romantic complications. The pace is fast, the color pleasing and the cutting crisp and well integrated with the action." Movie Makers, Dec. 1940, 602.


Footnote to Fact, A

Date produced: 1933

Filmmaker(s):

Lewis Jacobs

Description:

Also known as Footnote to Fact [As I Walk].


Footsteps

Date produced: 1933

Filmmaker(s):

J. R. Coming


Footsteps in the Dark

Date produced: 1960

Filmmaker(s):

Ervin R. Miller


Footsteps in the Sea

Date produced: 1931

Filmmaker(s):

Amos Burg

Julius Fleischmann

Description:

"Edited film with intertitles documents the round the world cruise of the Fleischmann family and friends on board the yacht "Camargo," Human Studies Film Archive, Smithsonian Museum.


For All We Have and Are

Date produced: 1940

Filmmaker(s):

Don Munday

Description:

"A propaganda film, made in the early days of the Second World War. Opening with footage of a giant Empire Youth Rally at Brockton Point Oval, the film illustrates Canadian democratic values, institutions and ideals which are now threatened by fascism and war -- farming, industry, the home and family, education, racial tolerance, elections, and religious freedom. Also includes footage of First World War memorials in Vancouver and Victoria, cemeteries, Remembrance Day ceremonies and parades, and veterans. Canada's contribution to the war effort is shown through shots of recruiting stations, marching recruits, military parades, warships, etc. One lengthy sequence uses model airplanes, dramatizations, stock shots, photographs, and footage of local civil defence drills to simulate the impact of aerial attacks on British cities during the Blitz (including civilian casualties and damaged or burning buildings)" British Columbia Archives.


For the Fun of It

Date produced: 1933

Filmmaker(s):

Edward K. Warren

Description:

"Only film record made of take-off by Amelia Earhart on her famous Solo Flight to Europe; including pause at Newfoundland" ("The Evolution of a Movie Party").


Forgotten Frontier, The

Date produced: 1930

Filmmaker(s):

Marvin Breckinridge

Description:

"The Forgotten Frontier, filmed by Miss Marvin Breckinridge, is the most ambitious amateur made welfare film yet recorded. To show the operation of the Kentucky Nursing Service, Miss Breckinridge spent several months filming in the mountain districts reached by that organization. With the cooperation of the mountain folk, she staged several short dramas, each demonstrating the usefulness of one of the centers or some phase of their work. The completed picture runs 6000 ft., 35mm., and, in spite of the numerous technical difficulties, it is excellently photographed." Movie Makers, Dec. 1930, 788.


Forgotten Gold

Date produced: 1934

Filmmaker(s):

Arthur H. Smith


Total Pages: 299