"Una cinta cargada de referencias a Jean-Luc Godard (Los Carabineros, 1963) pero sobre todo concentrada en la crítica mordaz al radicalismo de izquierda. Una vez más Marco Antonio Madrid hace el papel de protagonista, un joven de pelo largo, pantalón de mezclilla y saco, que se dedica a ligar en los cafés de la Zona Rosa adoctrinando a las mujeres. Lee a Marx después de hacer el amor, y se junta con sus amigos para brindar por "la muerte de la intelectualidad burguesa". Montero utiliza intertítulos como recurso irónico, una suerte de narrador externo que interpela la historia: "¿Qué es la intelectualidad burguesa?". La lucha revolucionaria del joven y sus amigos está teñida de sentido del humor. En una secuencia que recuerda mucho a Los Carabineros, suben al techo de una fábrica para iniciar la lucha armada (...) Por último un cartel proporciona una última burla: "Y si el sol es burgués detendremos al sol" " (Vázquez Mantecón, 2012).
"A film loaded with references to Jean-Luc Godard (The Carabineers, 1963), but above all focused on biting criticism to the radical left. Once again Marco Antonio Madrid plays the role of the lead character, a young man with long hair, jeans and coat, that dedicates his time to hook up in the coffee shops of the Zona Rosa indoctrinating women. He reads Marx after making love and he gets together with his friends to toast for the "death of the bourgeois intellectuality". Montero uses intertitles as a resource for irony, a sort of outside narrator that interpellates the story: "What is bourgeois intellectuality?". The revolutionary fight of the young man and his friends is filled with a sense of humor. In a sequence that reminds us of The Carabineers, they go to the rooftop of a factory to begin the armed fight. (...) Finally a sign shows one last derision "And if the sun is bourgeois, we will stop the sun" " (Vázquez Mantecón, 2012).
"documentario a fantasia"/avant-garde documentary
"The Cinch is a quick, cute comedy about a do-it-yourselfer who decides to fix his own TV set. He fixes more than the set and ends up in quite a fix himself. The film won the Most Humorous Film Award. It is sharply cut and the fast pacing gives it its punch and humor" PSA Journal, Sept. 1964, 50.
"a soggetto"/fiction film
"Robert Fels and his associates have made in Cine Whimsy a sound motion picture unlike anything that has seen the screen previously. Its plot is based on the literal picturization of figures of speech and, when the characters in this movie "lose their heads," they actually do! Similarly, when the heroine "hits the ceiling," she does just that and, when the hero "pulls the wool over her eyes," he does so with the aid of a ball of yarn. We could go on citing this kind of thing indefinitely without revealing the picture's true quality, which lies in a surrealist treatment, always ingenious and sometimes fantastic. The priest who rises from the cactus to "hitch" the headless couple who are hauling a cart on a barren road represents the kind of imagery that is typical of the film. The sound track is a brilliant combination of commentation and "fake" lip synchronism. Mr. Fells conceived and directed the picture; Newell Tune filmed it, and Norman Johnson collaborated on the shooting script. Mr. Tune's trick work is among the best yet produced on 16mm." Movie Makers, Dec. 1942, 507-508.
"documentario"/documentary
"documentario cronistico"/documentary chronicle
Total Pages: 299
Amateur Cinema