"Family footage shot in the grounds of a large house in Moorside; 1925. Some children and their nanny play on the lawn. A group of adults are seen having afternoon tea outside in the garden. Also includes shots of a young boy doing somersaults on a set of gymnast's rings. The camera remains stationary and several adults run into shot, in quick succession, and do a forward somersault using the rings. Even the nanny, who is in full uniform, has a turn" (NWFA Online Database).
"Documentary: Illustrates plight of leprosy victims before and after the opening of the Bibanga Leper Camp by missionaries." National Archives.
"Although Song of a City was probably as carefully planned as any film could be, it still got out of hand and grew on its producer. Try filming a great metropolis yourself sometime, and you will begin to understand what John Flory faced in this splendid study of the city of Cleveland. For this is no simple record, content with the physical surface of streets and skyscrapers, ships and steel. Song of a City is a heroic canvas, seeking to present in dynamic imagery the inner significance and meaning of its vast subject, relating the ships and steel, the workers and the wealthy, to the pulsating life of their community. Mr. Flory's sponsor in this new form of industrial publicity was the Cleveland Trust Company, and it is to this institution that the film turns recurrently in presenting its message of finance in the modern world." Movie Makers, Dec. 1941, 568.
"This drama, something of a satire upon life as reflected by the tabloids, was written, acted and filmed by a group of youngsters." Photoplay, Nov. 1929, 86
"Film record of a visit to South Devon comprising shots of local beauty spots, visitor attractions and the activities of locals and tourists." (EAFA Database)
"Dan Billman, jr., has told you in the September number of this magazine how he came to make South of Honolulu. What he could not possibly put into words is the outright and amazing entertainment value of this elaborate record. Hawaii, for the Billmans, meant far more than the Aloha Tower, Diamond Head and the Kodachrome set piece of weekly hula dancing. In their place this adventurous couple found — some 200 miles south of Honolulu — the calm beauty of native life, the exciting patterns of native fishing and feasting and the exotic loveliness of tropical blooms against their true backgrounds. For them, no filming task seemed impossible. Their achievements range from an amusing sequence of the "'sea going" cowboys of the Hawaiian coast, to a striking and incredible study of religious ceremonies within a Buddhist temple. Mr. Billman's beautifully filmed production, accompanied throughout with sound and music personally recorded in the Islands, has the full bodied stature of mature screen entertainment." Movie Makers, Dec. 1941, 564.
"Amateur travelogue of an extensive trip to Australia photographed and produced by "The Traveling Sebrings," Lewis B. Sebring, Jr. and Alice P. Sebring. Lewis B. Sebring, Jr. was a journalist and war correspondent for the New York Herald-Tribune, who reported on combat in the Southwest Pacific Area theater during World War II. The trip documented in this film, which they referred to also as "An Odyssey to Australia" covers the entire continent of Australia, from Sydney, Melbourne, Adelaide, Port Augusta and Kalgoorlie, Perth, and Brisbane, and everything in between, usually documented via passenger train. In each city, the film expertly documents landscape, architecture, and people, as well as rural areas and animals." Wisconsin Historical Society.
"Edited film by Floyd Henry Wells, a retired salesman and a member of the Wally Byam Caravan Club of Airstream trailers, chronicling travels through Tahiti, Fiji and Samoa including scenic views, dance and martial arts displays, cruise ship Mariposa, shipboard activities, underwater photography, collecting sponge or coral, lagoon, market, harbor scenes, outriggers and urban scenes," Human Studies Film Archives, Smithsonian Museum.
"Black and white and color film that shows a day in the life of a First Nation family in Utah." Church History Library.
"In a film of a familiar subject — a vacation trip to Florida — Ernest Kremer has done an excellent task of compiling a movie of varied sequences into a unified whole. His camera handling is competent, there are interesting viewpoints and he uses nice transitions to a new sequence, to avoid leaving preceding views too long on the screen. The continuous narrative that is presented with Southern Exposures sometimes draws attention from the pictured scenes, but the commentary in jingle style that accompanies the underwater scenes of fish adds a delightful touch. Mr. Kremer is to be commended especially for the compact and smooth editing of his film." Movie Makers, Dec. 1945, 496.
Total Pages: 299
Amateur Cinema