"Close study of the Town Hall Clock in Rothenburg and the activities of people at a fountain" (EAFA Database).
"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid mixes slapstick and romance in this portrait of the extra-curricular life of a Cambridge student. When our intrepid undergraduate first arrives in Cambridge, he forgets the name of his college and loses his ticket, leaving him struggling to reach his lodgings. After a dream-filled night spent sleeping on the streets, he arrives at a lodging where everything costs that little bit extra. Rarely in college, he spends his days stealing bicycles and chasing women until he finds one he wishes to marry. With the courtship in full swing, her father says they can only marry if the undergraduate earns £20 in a single day; an ultimatum with inflammatory consequences" (EAFA Database).
En Noche Buena, un hombre lleva su automóvil a un mecánico para que sea arreglando mientras el camina por una ciudad. Mientras el mecánico trabaja en el vehículo, recibe una llamada telefónica que lo distrae, y después da el coche al hombre, diciéndole que está arreglado. Mientras el hombre está ya en el camino, el mecánico recuerda haberse distraído y no haber apretado los tornillos de la rótula del automóvil, lo cual pone en peligro la vida del conductor. El mecánico intenta contactarlo desesperadamente a través de la policía de caminos mientras imagina que si muere, él será considerado culpable. El conductor eventualmente pierde el control del vehículo y queda varado en un camino solitario, desde donde contacta al mecánico quien agradece a Dios que nada terrible haya pasado. El filme termina con imágenes de luces navideñas en la ciudad y un letrero que muestra la rótula.
On Christmas Eve, a man takes his car to a mechanic to get it fixed while he walks around a city. When the mechanic is fixing the car, he gets distracted by a phone call, then he gives the car to the man and tells him it is fixed. While the man is already on the road, the mechanic remembers getting distracted and not tightening the screws of the car's ball joint, which endangers the passenger's life, so he tries to contact him desperately through the road police and imagining him claiming that his death was his fault. Eventually the man loses control of his car and gets stranded in a lonely road, he contacts the mechanic who thanks God that nothing terrible happened. The film ends with images of Christmas lights in the city and a sign showing the ball joint.
"Film is mostly animated featuring toy cars and trucks on paper roads with paper trees. The highlights of the film are a roundabout, which is a type of circular intersection and signs which have more than one meaning. The film also includes a human man and woman who seem to be driving one of the cars" Archives of Ontario.
"Wilbur W. Krimpen's Rowdy Clam Bake is a sure source of delight for all lovers of food, drink or shuffleboard. It is a charmingly informal treatment of a clam bake through the successive stages of food preparation, cocktail time, shuffleboard (to whet appetites) and, ultimately, food consumption. In addition to its entertainment value, Rowdy Clam Bake rates high for its informative aspect, as it provides a step by step study of what constitutes a successful clam bake. The ingredients involved will not be listed here, lest the reader's credulity be strained. However, the film's parting shot, a closeup of an Alka-Seltzer container, is indicative of the epic dimensions of the feast." Movie Makers, Dec. 1948, 491-492.
Amateur film footage of King George VI and Queen Elizabeth in Victoria, B.C. during the 1939 royal tour of Canada.
"What we have all wished a newsreel presentation of an important event could be has at last been brought to actuality by T. J. Courtney in his fine Kodachrome film Royal Visit — Halifax 1939. Let us hasten to add, also, that this film, besides being the apotheosis of the newsreel presents a carefully connected story of the events of the long anticipated day of the Royal visit in his city. Chiefly outstanding is the skillful and always appropriate use of closeups and atmosphere shots made with great care before, during and after the event and cut in with real skill to heighten the effect. But, most of all, the film is remarkable for its pace and sincere interpretation of public feeling; the early preparations for the Royal visit; the breathless expectation; the high enthusiasm at the time of Their Majesties' appearance, the promise of long remembrance at their departure — all these are clearly shown by Mr. Courtney's cinematic commentary. The complications that must have confronted him on this exciting day must be considered in our approval, too. He succeeded admirably in picturing the general excitement and enthusiasm, but at no time did his camera desert its steady support and accurate framing of the principal subject. The natural, close shots of the King and Queen are unsurpassed." Movie Makers, Dec. 1939, 632.
"Home movie film record of the 1939 royal visit by King George VI, showing preparations on the streets of Vancouver and the vicinity of the Hotel Vancouver, a parade, and the royal motorcade" British Columbia Archives.
Total Pages: 299
Amateur Cinema