An artist sets up his easel on a shore with the intention of painting a nature scene. Soon, people gather at the shore and thwart the artist's plan to paint.
"documentario scientifico"/scientific documentary
"Ralph E. Gray has once again turned his inquiring and sympathetic camera upon the people and places of Mexico. The result is Arts and Crafts in Mexico, an authentic and altogether admirable record of that country's hereditary handicrafts. Here, in almost lavish detail, is an intent family of woodworkers, fascinating in their casual skills with hands and feet. Here are senoritas who both weave and wear the lovely silken rebozo, which shares honors only with the serape as the mantle of Mexico. One sees with equal clarity and charm the fashioning of pottery, the firing of copper vessels and the fine crafting of Mexico's soft and gleaming silver. Even the great Diego Rivera, pictured at work in a sequence which is a genuine "'beat," is engagingly included within the family of Mexico's artisans. Mr. Gray has compiled a cinematic document of great beauty, genuine human interest and authentic social value." Movie Makers, Dec. 1945, 494.
"As We Forgive, produced by the Religious Motion Picture Foundation and filmed by Kenneth F. Space, with the technical assistance of Dan Lindsay, is a fine example of weaving the theme of the picture into the very warp and woof of its photographic material. The makers of this photoplay had a sincere and simple theme to present, and the excellence of their presentation lay in the fact that every detail of the handling, both in technique and continuity, was done sincerely and simply. It is this carefully worked out unity of treatment with theme that enables the film to serve as a model for producers of photoplays with a message. The filmers particularly are to be congratulated on their handling of child actors, one of the most difficult problems to be solved successfully in any field of the drama. From the technical point of view, we may remark the well exposed interiors, in which the lighting was carefully planned to give the effect of normal illumination; the fine photographic quality displayed in the closeups and camera angles and the smooth unity of the entire technical handling." Movie Makers, Dec. 1936, 542.
"In As Ye Sow, Walter Bergmann has made a record of a Victory garden around the plot of the conscientious worker as contrasted to the indolent one. Mr. Shirker in his wishful thinking, through a dream sequence, takes the local prize for vegetables before the digging even begins. As the season progresses, Mr. Worker grows a fine garden, while his opponent achieves a harvest of weeds in spite of his bribes to helpers to produce his garden for him while he goes fishing. The players are well chosen and directed, and there is an amusing and well acted climax in which Mr. Shirker gets his inevitable just deserts." Movie Makers, Dec. 1944, 495.
“Samim Kocagöz’ün “Teneke” adlı eserinden uyarlanmıştır. İşgüzar bir bekçinin uzun ve yorucu bir kovalamacanın ardından, yoksulluğunun gerçek yüzüyle karşılaşmasının öyküsüdür.” Sinematek.tv: http://sinematek.tv/asayis-berkemal-1967-2/ (15 Oct 2019).
“Adapted from Samim Kocagöz’s short story, “Teneke.” It tells the story of a meddlesome watchman/night guard, who faces the reality of poverty after a long and tiring chase.” Sinematek.tv: http://sinematek.tv/asayis-berkemal-1967-2/ (15 Oct 2019).
Film on Puri leper potters and their methods. Japan. Calcutta. Pegu, Burma; Kuala Lumpur, Bienhoa, French Indochina; Annam.
Total Pages: 299
Amateur Cinema