"The film includes shots of the departure of the riders in the early morning mist; the Master of Fox Hounds, Stanley Barratt, leading foxhounds by foot over a wooden bridge; riders and hounds patrolling a covert at Juniper Hill; the training of young hounds after a kill; horses and hounds assembling after the cubbing hunt. Scenes … include the meet in the early morning mist; the hounds by the wooden bridge; the location of the kill. A small crowd watches as a fox that has gone to ground is dug out; after the kill the fox’s body is thrown in the air for the hounds and a rider trains the young hounds. The films reference the same location, crowd (including two dogs, which are not foxhounds) and the same rider training the young hounds. Dufaycolor film of scenes from the Great Missenden Show of 1935. Shots include footage of some of the competitors in a junior show jumping event and the presentation of the prizes afterwards" (EAFA Database).
"endeavouring cinematically to depict the freedom of the open air as a contrast to the mechanised life of the city during the working week. The treatment in the hands of Mr. S. Sharples was a departure from the usual run of films, as there was exploitation only of natural media and no particular caste was featured. By rapid acceleration and accurate timing of sequences the effect of stimulation and movement was produced. This film was submitted to Mr. J. Grierson, of “Drifters” fame, and in a very candid criticism of it he wrote “… one of the most intelligent amateur films I have seen" (Anon 1931: 183).
"a soggetto"/fiction
"Three men encourage people to follow rules set by the air raid warden in the event of an air raid. The rules are put to song, and some rules are depicted by actors." Chicago Film Archives
"Objectif Festival is a story based - on truth or not, we don't know - of an old photographer who decides to bring his camera, tripod and all, the to the Cannes Film Festival to get a few still shots. He is not prepared for the fast shooting shutterbugs of today, nor the Bikini clad French dolls that litter the beaches. Time has passed him by in more ways than one. The film has been cleverly cut to fit its musical score, and this unusual editing has earned for the film the MPD Golden Scissors Award for the best film editing in the contest" PSA Journal, Sept. 1964, 50-51.
"This picture was a special delight as Miss Hill had concentrated upon pastel colors as she found them in the woods and fields. Also she brought the human element into her picture very gracefully and entertainingly." American Cinematographer, Dec. 1934, 377.
"L. Clyde Anderson was given an award for Color photography, for 'October By-Ways.' We want to congratulate Mr. Anderson for his selection of colors. It is one of the very first amateur pictures we have seen where color was really properly balanced. There were no harsh notes to distract, but he chose scenes where the ensemble blended and where there was a fine eye-resting blance of color and also color composition. It was obvious that Anderson used haze filters on his outside scenes as the sky does not have that postcard-blue effect, but has been reduced to almost a gray haze which helps the fall colors in the trees and does not take the eye away from the main points of interest." American Cinematographer, Jan. 1937, 37.
"amateur film of the Blue Max Motorcycle Club" centerforhomemovies.org
Total Pages: 299
Amateur Cinema