Life at Deep Cove "shows family leisure activities, 1937 Deep Cove Regatta; colour section of sunbathing and Deep Cove scenes" British Columbia Archives.
"The construction and performance of marionettes are skillfully pictured in Life Hangs By A Thread, by Paul R. Elliott and Joseph Dephoure. Aided by skillful lighting, a fine sound track perfectly harmonized with the action and an intelligent script, interest is closely held from the time a marionette is a lump of putty to its moments of glory when, in the hands of an experienced operator, it seems to take on a life of its own. Perhaps the most impressive thing about Life Hangs By A Thread is its careful step by step planning, indicating the sound belief by its producers that a movie should tell as much as possible pictorially, with the commentary used only to enhance the visual appeal." Movie Makers, Dec. 1948, 475-476.
"Film features two stories: The Fly - in which a man, who is reading a book, is bothered by a fly; and The Phone - in which a woman, who is painting and then taking a bath, is bothered by a ringing phone" Archives of Ontario.
"A fickle (or is it haunted?!) elevator disrupts a man’s daily routine, ending tragically in a stairwell." Chicago Film Archives
"On an actual Protestant missionary who brought Christianity, education, and medical aid to an illiterate, pagan tribe in the Belgian Congo." National Archives.
"Lily Was A Lady: Roy C. Wilcox failed to state what camera he used in filming this fine study of the habits of Lily, a praying mantis, but both his color photography and his editing skill have netted a highly interesting film about one of nature's queerest insects." American Cinematographer, May. 1951, 192.
Imágenes del bosque / Images of the forest.
"This year, Ten Best welcomes a baby picture to its select circle. Out of the large number of personal and family films submitted to the League, Linda represents the ultimate in child movies. Here, in less than ten minutes of running time, unfold some of the high lights of the first few weeks of a baby's life. Following a carefully planned scenario, Richard Fuller shows himself well acquainted with motion picture technique. Lovely settings are accentuated by superb lighting. Pastel pinks and blues, colors intimately connected with the nursery, predominate. Fine cutting, well chosen camera viewpoints, effective use of dolly shots and double exposures all attest to a sound knowledge of cinematic expression. Above all, there is a feeling of quality and good taste. At the advent of a tiny stork, ingeniously controlled by wires, Mr. Fuller begins pacing the floor and lighting one cigarette after the other. Then, the routine of Linda's early days is set forth in charming fashion." Movie Makers, Dec. 1941, 564.
Total Pages: 299