edited by Charles Tepperman, Masha Salazkina and Nicholas Avedisian-Cohen
Theorizing (Amateur) Cinema by Masha Salazkina
Introduction to O. Th. Stein’s “Amateurkinematographie” by Michael Cowan
Amateur Cinematography [1913] by O. Th. Stein, translation by Claire Begbie
Visions of Freedom in American Amateur Cinema Discourse by Charles Tepperman
The Movies Versus Motion Pictures [1921] by Ralph Block
A Free Art [1934] by Editor, Movie Makers magazine
Introduction to Grigorii Boltianskii, “Photo and Cine-Amateurism in the Club” by Maria Vinogradova
Photo and Cine- Amateurism in the Club [1926] by Grigorii Boltianiskii, translation by Maria Vinogradova
Sergei Prokofiev: “A Man of the Screen” by Maria Vinogradova
Sergei Prokofiev in/at the Movies: Diary Notes and One Letter [1930] by Sergei Prokofiev, translation by Maria Vinogradova
Brazilian Cinema between Amateur and Professional by Rielle Navitski
Amateur Cinema [1929] by Sérgio Barreto Filho, translation by Rielle Navitski
An Introduction to ProKino, the Proletarian Film League of Japan by Diane Wei Lewis
What is Proletarian Film? [1930] by Sasa Genjū, translation by Diane Wei Lewis
Introduction to Kawamoto Masao’s “Amateur Cinema, Avant-Garde Film, and Tendency Film” by Noriko Morisue
Amateur Cinema, Avant-Garde Film, and Tendency Film [1933] by Kawamoto Masao, translation by Noriko Morisue
Catalan Amateur Cinema and the Issue of Sound by Enrique Fibla Gutiérrez
Is Cinema Dying? [1933] by Delmiro de Caralt, translation by Enriqure Fibla Gutiérrez
Elemental Phonogénie [1935] by Josep Palau, translation by Enriqure Fibla Gutiérrez
“How I Made It”: Film Competitions and the Amateur Community in Britain by Keith M. Johnston and Paul Frith
“How I Made It,” IAC Bulletin 2, no 4 [1934] by Ruth Stuart, Mathew Nathan, and Agnes K. Thubron
The Experimental Film in Fascist Italy, or: What is a Cineguf Film? by Andrea Mariani and Simona Schneider
Experimental Cinema (excerpts) [1936] by Domenico Paolella, Arrigo Colombo, Attilio Giovannini, and Virgilio Sabel, translations by Simona Schneider with Andrea Mariani.
Vernacular Aesthetics in Canadian Amateur Film Culture by Charles Tepperman
“Editor’s Note” from Shots and Angles [1937] by Narcisse Pelletier